September 24, 2018
This album contain fifteen (15) jhankar songs.
(Eagle Enterprises)
01. Aap Ke Pehlu Main
02. Bare Bevafa Hain
03. Bhagvaan Ek Qasoor
04. Dil Ka Soona Saaz
05. Dono Ne Kia Tha
06. Gham Ne Hansne
07. Gham Uthaane Ke
08. Is Bhari Dunya Main
09. Kehdo Koi Na Kare
10. Mile Na Phool To
11. Nazar Aati Nahi
12. Rang Or Noor Ki
13. Tum Mujhe Yun
14. Voh Khushi Mili
15. Yaad Na Jaaye
Mohammed Rafi Sahab sung "Zindegi Tu Bewafaa Hain Ek Din Thukrayeegee… 2, Maut Mehbooba Hain Aapne Saath Lekar Jayeegee, Marke Jine Ki Aada Jo Duniya Ko Dikhlayeega, Woh Muqaddar Ka Sikander… Janemaan Kehelayeega".
This two moment pitiful form of the tune recorded on Vinod Khanna in the peak of the film MUQADDAR KA SIKANDER (1979) when Amitabh Bachchan inhaled his toward the end in the film saying "Fundamental Tu Sirf Sikander Hoon Vishal, Tu Mukaddar Ka Sikander Hain". Be that as it may, in actuality, Vinod Khanna inhaled his keep going on 27th April, 2017 at 70 years old before Amitabh Bachchan leaving his worldview of around 150 movies for cine-goers.
Vinod Khanna was destined to a Punjabi Khatri business family to Kishanchand and Kamala Khanna having material and compound business on sixth October, 1946 in Peshawar and after segment his family moved to Mumbai. He was concentrated in St. Xavier's High School, Fort, Mumbai, Delhi Public School, Mathura Road, Barnes School in Devlali lastly graduated in Commerce from Sydenham College. In his School days, he was mightily showed up in dramatization rivalry. During his examination time in all inclusive school at Devlali, he saw the magnum epic film MUGHAL-E-AZAM (1960) a few times and got entranced with motion pictures and needed to turn into an on-screen character. After consummation of studies his dad needed him to participate in privately-run company, however he had taken two years' time from his dad to turn into a fruitful entertainer and guaranteed on the other hand he will join submit business. First he was presented by entertainer movie producer Manoj Kumar in PURAB AUR PASCHIM in a little job of drummer in a melody succession. At that point he was appeared as a miscreant in Sunil Dutt's home creation MAN KA MEET (1968) presenting his more youthful sibling SOM DUTT with Leena Chandravarkar. After arrival of MAN KA MEET, Vinod Khanna got 15 movies offer at once as a legend, miscreant and supporting on-screen character.
Banners of movies Man Ka Meet, Nateeja, Purab Aur Paschim
Banners of movies Man Ka Meet, Nateeja, Purab Aur Paschim
Vinod Khanna's onscreen playback was finished by different artists like Mukesh ( Mastana, Amar Akbar Anthony, Daku Aur Jawaan), Mahendra Kapoor (Amar Akbar Anthony, Muqaddar Ka Sikander, Rajput), Kishore Kumar (Hum Tum Aur Woh, Mere Apne, Aarop, Imtihan, Lahu Ke Do Rang, Daulat), Bappi Lahari (Aap Ki Khatir), Manahar Udhas (Qurbani), Suresh Wadkar (Chandni) and Kumar Sanu (Jurm). Mohammed Rafi Sahab is pioneer of this artists in the acting profession of Vinod Khanna as a playback vocalist.
Vinod Khanna became legend in his second film NATEEJA (1969) inverse Bindu which was an extremely low spending Black-White film. The two part harmony "Dil Karne Laga Hain Pyar Tumhe, Yeh Baat Tumi Samhjaoo Humein" by Rafi Saab and Hemlata shot on Vinod Khanna and Bindu in a beach impractically is still unexpected in articulation and feeling. The tune was wonderfully formed by Usha Khanna in the verses of Ashad Bhopali. A while later, Rafi Saab sung solo, two part harmony and multi-vocalist tunes for the entertainer in various movies like MASTANA (1970), MEMSAAB (1971), PARCHHAIYAN (1972), GADDAR (1973), HAATH KI SAFAI (1974), LAGAAM (1976), CHOR SIPAHEE (1977), MAHA BADMAASH (1977), PARVARISH (1977), MAIN TULSI TERE AANGAN KI (1978), YUVRAAJ (1979), BOMBAY 405 MILES (1980), GARAM KHOON (1980), KHUDA KASAM (1981), EK AUR EK GYARAH (1981), INSAAN (1982) and RAJ MAHAL (1982) consistently in the first period of his profession in Quite a while.
Banners of movies Parchhaiyan, Gaddaar, Main Tulsi Tere Aangan Ki
Banners of movies Parchhaiyan, Gaddaar, Main Tulsi Tere Aangan Ki
The primary solo of Rafi Saab start with on-screen character Vinod Khanna in film PARCHHAIYAN (1972), a Punjabi "Bhangra" pizazz tune, "Jada Aankhiya La Layee Le, Yara Khusiya Mana Layee Le" formed by R.D. Burman in the verses of Majrooh Sultanpuri. It was trailed by a fiery thing number, "Tu Gaddar Sahi, Tu Makkar Sahi, Hamara Yaar Purana Hain, Tujhe Inkaar Sahi" in Harmesh Malhotra's taking wrongdoing show GADDAAR (1973) made by Laxmikant-Pyarelal. Luckily, Rafi Saab sung for a lot of entertainers in the melody like Pran, Vinod Khanna, Anwar Hussein, Iftekhar, Manmohan, Ranjeet, Satyen Kappu and Makran Khan. The artful culmination sentimental solo of Rafi Saab came to entertainer in Raj Khosla's MAIN TULSI TERE AANGAN KI (1978) made by Laxmikant-Pyarelal in verses of Anand Bakshi. It was a "Holi" arrangement melody, "Meri Dushman Hain Yeh, Meri Uljjan Hain Yeh, Bada Tarpati Hain, Dil Ko Tarshati Hain Yeh Khidki..Khidki , Yeh Khidki Jo Band Rahti Hain" shot on Vinod Khanna and Neeta Mehta. It was trailed by another sentimental solo "Tu Husn Hain, Tu Jawani Hain, Ek Aag Hain Ek Paani Hain" in outfit dramatization YUVRAAJ (1979) from the chronicle of same writer and lyricist. The last solo of Rafi Saab came to basin of the entertainer in Lekh Tandon's KHUDA KASAM (1981) additionally formed by Laxmikant-Pyarelal. It was a gathering melody, "Arey Re Sambhalo Mujhe Yaaro Maine Nahin Pe Yeh Pyar Ka Nasa Hain" in a failed up state of the entertainer.
Banners of movies Mastana, Mem Saab, Haath Ki Safai
Banners of movies Mastana, Mem Saab, Haath Ki Safai
This ravishing entertainer favored with some productive Rafi-Lata two part harmonies in his vocation from MASTANA (1970) by A. Subba Rao. The sentimental two part harmony "Chhed Mere Humrahi Geet Koyee Aisa, Umro Bhar Hum Jise Gungunate Rahe" from the film formed by Laxmikant Pyarelal recorded on Vinod Khanna and Bharathi in a shocking nursery. It was trailed by two part harmonies, "Suno Ek Baat Kahoon, Kaho Ji Priya Main Sunti Hoon" formed by Sonik-Omi in Atmaram's MEMSAAB (1971) shot on Vinod Khanna and Yogita Bali and "Shashon Mein Kabhi, Dil Mein Kabhi… Nazaron Mein Raha Karna… Jag Beri Ho Tu Kiya… Tum Hum Se Wafa Karna" created by R.D. Burman in PARCHHAIYAN (1972) shot on Vinod Khanna and Reshma. The masterwork two part harmony he got in Prakash Mehra's HAATH KI SAFAI (1974). A definitive sentimental number, "Wada Karle Sajna Tere Bin Main Na Rahu, Mere Bin Tu Na Rahe Hoke Juda… ..Yeh Wada Raha" formed by Kalyanji-Anandji in verses of Gulshan Bawra recorded on Vinod Khanna and Simi Grewal got mass supplication. At first, Vinod playing an unfavorable character in the movie was not content with chief Prakash Mehra due to allotting more tunes to legend Randhir Kapoor sung by Kishore Kumar then a mainstream artist. In any case, in the end, this just Rafi-Lata two part harmony shot on Vinod Khanna outperformed all Kishore Kumar numbers recorded on Randhir Kapoor in the film. The film was a redo of DO USTAAD (1959) featuring Sheik Mukhtar, Raj Kapoor and Madhubala. The characters were re-sanctioned by Vinod Khanna, Randhir Kapoor and Hema Malini separately. Vinod Khanna won his first Filmfare Best Supporting Actor Award for this film followed by two selections in HERA PHERI (1976) and MUQADDAR KA SIKANDER (1978). He was additionally selected for Filmfare Best Actor Award in SHAQUE (1976) and QURBAANI (1980).
The rush of Rafi-Lata two part harmony proceeded in entertainer's profession by another two Kalyanji-Anandji structure, "Aadhi Raat Meri Paayalia Baje Mori, Chen Udda Jaye Meri Maan Ka" in LAGAAM (1976) and "Unimportant Pyar Ki Awaaz Pe Chali Aana, Ho Chali Aana" in RAJ MAHAL (1982). The vigorously sentimental expressions of the two tunes wrote by Vishweshwar Sharma and Verma Malik separately.
Banners of movies Lahu Ke Do Rang, Bombay 405 Miles, Insaan
Banners of movies Lahu Ke Do Rang, Bombay 405 Miles, Insaan
The Rafi-Asha two part harmony began in the vocation Vinod Khanna with Mahesh Bhatt's activity show LAHU KE DO RANG (1979). The sacred sentimental two part harmony, "Mathe Ki Bindia Bole, Kahe Ko Gori Royee, Sajna Gaye Pardesh" created by Bappi Lahari was shot on Vinod Khanna and Helen where the on-screen character assumed twofold job of father and child. It was trailed by diverting sentimental number, "Arre Ho Gaye Hum Aap Ke Kasam Se… Kasam Se Kasam Se" in BRIJ'S film BOMBAY 405 MILES (1980) created by Kalyanji-Anandji. The melody was recorded on Vinod Khanna, Shatrughan Sinha and Zeenat Aman and strangely Rafi Saab sung for two on-screen characters all the while. Ultimately, it was expressive sentimental two part harmony, "Shathiya… Tu Mere Sapno Ka Meet Hain, Tu Mere Hoothoon Ka Geet Hain , Apani Janmo Ka Meet Hain… Khaoo Kasam Yehin Wada Karo Yehin" shot on Vinod Khanna and Reena Roy in Narendra Bedi's INSAAN (1982) created by Laxmikant-Pyarelal in the expressions of Anand Bakshi.
Banners of movies Chor Sipahee, Parvarish, Ek Aur Ekk Gyaraah
Banners of movies Chor Sipahee, Parvarish, Ek Aur Ekk Gyaraah
Laxmikant-Pyarelal favored singing choral of Rafi Saab for on-screen character Vinod Khanna when contrasted with other entertainer like Shashi Kapoor. For example, in two male two part harmonies of Rafi-Kishore in CHOR SIPAHEE (1977) and EK AUR EK GYARAH (1981), author pair utilized Rafi Saab's vocal for Vinod Khanna and Kishore Kumar's vocal for Shashi Kapoor. The male two part harmonies were "Bade Maze Se Guzar Jaayegi Yeh Zindegi, Hum Dono Mein Agar Ho Jaye Dosti" and "Mujhko Tujhko Do Geentay… Unko Geeny Do Yara… Kandha Chod Ke Nikal Pare Tu… Hum Hain Ek Aur Ek Gyarah" individually.
In this friendship, the multi-artist tune, "Murmur Premi Prem Karna Jaane, Pyar Ke Dushman Ko Hazaroo Mein Pehchane" from Manmohan Desai's PARVARISH (1977) to be brought up likewise made by Laxmikant-Pyarelal. In this melody, Rafi Saab sung for Vinod Khanna, Kishore Kumar sung for Amitabh Bachchan and Shailendra Singh sung for Shammi Kapoor. This was the main Shammi Kapoor melody where Rafi Saab sung for other entertainer.
This two moment pitiful form of the tune recorded on Vinod Khanna in the peak of the film MUQADDAR KA SIKANDER (1979) when Amitabh Bachchan inhaled his toward the end in the film saying "Fundamental Tu Sirf Sikander Hoon Vishal, Tu Mukaddar Ka Sikander Hain". Be that as it may, in actuality, Vinod Khanna inhaled his keep going on 27th April, 2017 at 70 years old before Amitabh Bachchan leaving his worldview of around 150 movies for cine-goers.
Vinod Khanna was destined to a Punjabi Khatri business family to Kishanchand and Kamala Khanna having material and compound business on sixth October, 1946 in Peshawar and after segment his family moved to Mumbai. He was concentrated in St. Xavier's High School, Fort, Mumbai, Delhi Public School, Mathura Road, Barnes School in Devlali lastly graduated in Commerce from Sydenham College. In his School days, he was mightily showed up in dramatization rivalry. During his examination time in all inclusive school at Devlali, he saw the magnum epic film MUGHAL-E-AZAM (1960) a few times and got entranced with motion pictures and needed to turn into an on-screen character. After consummation of studies his dad needed him to participate in privately-run company, however he had taken two years' time from his dad to turn into a fruitful entertainer and guaranteed on the other hand he will join submit business. First he was presented by entertainer movie producer Manoj Kumar in PURAB AUR PASCHIM in a little job of drummer in a melody succession. At that point he was appeared as a miscreant in Sunil Dutt's home creation MAN KA MEET (1968) presenting his more youthful sibling SOM DUTT with Leena Chandravarkar. After arrival of MAN KA MEET, Vinod Khanna got 15 movies offer at once as a legend, miscreant and supporting on-screen character.
Banners of movies Man Ka Meet, Nateeja, Purab Aur Paschim
Banners of movies Man Ka Meet, Nateeja, Purab Aur Paschim
Vinod Khanna's onscreen playback was finished by different artists like Mukesh ( Mastana, Amar Akbar Anthony, Daku Aur Jawaan), Mahendra Kapoor (Amar Akbar Anthony, Muqaddar Ka Sikander, Rajput), Kishore Kumar (Hum Tum Aur Woh, Mere Apne, Aarop, Imtihan, Lahu Ke Do Rang, Daulat), Bappi Lahari (Aap Ki Khatir), Manahar Udhas (Qurbani), Suresh Wadkar (Chandni) and Kumar Sanu (Jurm). Mohammed Rafi Sahab is pioneer of this artists in the acting profession of Vinod Khanna as a playback vocalist.
Vinod Khanna became legend in his second film NATEEJA (1969) inverse Bindu which was an extremely low spending Black-White film. The two part harmony "Dil Karne Laga Hain Pyar Tumhe, Yeh Baat Tumi Samhjaoo Humein" by Rafi Saab and Hemlata shot on Vinod Khanna and Bindu in a beach impractically is still unexpected in articulation and feeling. The tune was wonderfully formed by Usha Khanna in the verses of Ashad Bhopali. A while later, Rafi Saab sung solo, two part harmony and multi-vocalist tunes for the entertainer in various movies like MASTANA (1970), MEMSAAB (1971), PARCHHAIYAN (1972), GADDAR (1973), HAATH KI SAFAI (1974), LAGAAM (1976), CHOR SIPAHEE (1977), MAHA BADMAASH (1977), PARVARISH (1977), MAIN TULSI TERE AANGAN KI (1978), YUVRAAJ (1979), BOMBAY 405 MILES (1980), GARAM KHOON (1980), KHUDA KASAM (1981), EK AUR EK GYARAH (1981), INSAAN (1982) and RAJ MAHAL (1982) consistently in the first period of his profession in Quite a while.
Banners of movies Parchhaiyan, Gaddaar, Main Tulsi Tere Aangan Ki
Banners of movies Parchhaiyan, Gaddaar, Main Tulsi Tere Aangan Ki
The primary solo of Rafi Saab start with on-screen character Vinod Khanna in film PARCHHAIYAN (1972), a Punjabi "Bhangra" pizazz tune, "Jada Aankhiya La Layee Le, Yara Khusiya Mana Layee Le" formed by R.D. Burman in the verses of Majrooh Sultanpuri. It was trailed by a fiery thing number, "Tu Gaddar Sahi, Tu Makkar Sahi, Hamara Yaar Purana Hain, Tujhe Inkaar Sahi" in Harmesh Malhotra's taking wrongdoing show GADDAAR (1973) made by Laxmikant-Pyarelal. Luckily, Rafi Saab sung for a lot of entertainers in the melody like Pran, Vinod Khanna, Anwar Hussein, Iftekhar, Manmohan, Ranjeet, Satyen Kappu and Makran Khan. The artful culmination sentimental solo of Rafi Saab came to entertainer in Raj Khosla's MAIN TULSI TERE AANGAN KI (1978) made by Laxmikant-Pyarelal in verses of Anand Bakshi. It was a "Holi" arrangement melody, "Meri Dushman Hain Yeh, Meri Uljjan Hain Yeh, Bada Tarpati Hain, Dil Ko Tarshati Hain Yeh Khidki..Khidki , Yeh Khidki Jo Band Rahti Hain" shot on Vinod Khanna and Neeta Mehta. It was trailed by another sentimental solo "Tu Husn Hain, Tu Jawani Hain, Ek Aag Hain Ek Paani Hain" in outfit dramatization YUVRAAJ (1979) from the chronicle of same writer and lyricist. The last solo of Rafi Saab came to basin of the entertainer in Lekh Tandon's KHUDA KASAM (1981) additionally formed by Laxmikant-Pyarelal. It was a gathering melody, "Arey Re Sambhalo Mujhe Yaaro Maine Nahin Pe Yeh Pyar Ka Nasa Hain" in a failed up state of the entertainer.
Banners of movies Mastana, Mem Saab, Haath Ki Safai
Banners of movies Mastana, Mem Saab, Haath Ki Safai
This ravishing entertainer favored with some productive Rafi-Lata two part harmonies in his vocation from MASTANA (1970) by A. Subba Rao. The sentimental two part harmony "Chhed Mere Humrahi Geet Koyee Aisa, Umro Bhar Hum Jise Gungunate Rahe" from the film formed by Laxmikant Pyarelal recorded on Vinod Khanna and Bharathi in a shocking nursery. It was trailed by two part harmonies, "Suno Ek Baat Kahoon, Kaho Ji Priya Main Sunti Hoon" formed by Sonik-Omi in Atmaram's MEMSAAB (1971) shot on Vinod Khanna and Yogita Bali and "Shashon Mein Kabhi, Dil Mein Kabhi… Nazaron Mein Raha Karna… Jag Beri Ho Tu Kiya… Tum Hum Se Wafa Karna" created by R.D. Burman in PARCHHAIYAN (1972) shot on Vinod Khanna and Reshma. The masterwork two part harmony he got in Prakash Mehra's HAATH KI SAFAI (1974). A definitive sentimental number, "Wada Karle Sajna Tere Bin Main Na Rahu, Mere Bin Tu Na Rahe Hoke Juda… ..Yeh Wada Raha" formed by Kalyanji-Anandji in verses of Gulshan Bawra recorded on Vinod Khanna and Simi Grewal got mass supplication. At first, Vinod playing an unfavorable character in the movie was not content with chief Prakash Mehra due to allotting more tunes to legend Randhir Kapoor sung by Kishore Kumar then a mainstream artist. In any case, in the end, this just Rafi-Lata two part harmony shot on Vinod Khanna outperformed all Kishore Kumar numbers recorded on Randhir Kapoor in the film. The film was a redo of DO USTAAD (1959) featuring Sheik Mukhtar, Raj Kapoor and Madhubala. The characters were re-sanctioned by Vinod Khanna, Randhir Kapoor and Hema Malini separately. Vinod Khanna won his first Filmfare Best Supporting Actor Award for this film followed by two selections in HERA PHERI (1976) and MUQADDAR KA SIKANDER (1978). He was additionally selected for Filmfare Best Actor Award in SHAQUE (1976) and QURBAANI (1980).
The rush of Rafi-Lata two part harmony proceeded in entertainer's profession by another two Kalyanji-Anandji structure, "Aadhi Raat Meri Paayalia Baje Mori, Chen Udda Jaye Meri Maan Ka" in LAGAAM (1976) and "Unimportant Pyar Ki Awaaz Pe Chali Aana, Ho Chali Aana" in RAJ MAHAL (1982). The vigorously sentimental expressions of the two tunes wrote by Vishweshwar Sharma and Verma Malik separately.
Banners of movies Lahu Ke Do Rang, Bombay 405 Miles, Insaan
Banners of movies Lahu Ke Do Rang, Bombay 405 Miles, Insaan
The Rafi-Asha two part harmony began in the vocation Vinod Khanna with Mahesh Bhatt's activity show LAHU KE DO RANG (1979). The sacred sentimental two part harmony, "Mathe Ki Bindia Bole, Kahe Ko Gori Royee, Sajna Gaye Pardesh" created by Bappi Lahari was shot on Vinod Khanna and Helen where the on-screen character assumed twofold job of father and child. It was trailed by diverting sentimental number, "Arre Ho Gaye Hum Aap Ke Kasam Se… Kasam Se Kasam Se" in BRIJ'S film BOMBAY 405 MILES (1980) created by Kalyanji-Anandji. The melody was recorded on Vinod Khanna, Shatrughan Sinha and Zeenat Aman and strangely Rafi Saab sung for two on-screen characters all the while. Ultimately, it was expressive sentimental two part harmony, "Shathiya… Tu Mere Sapno Ka Meet Hain, Tu Mere Hoothoon Ka Geet Hain , Apani Janmo Ka Meet Hain… Khaoo Kasam Yehin Wada Karo Yehin" shot on Vinod Khanna and Reena Roy in Narendra Bedi's INSAAN (1982) created by Laxmikant-Pyarelal in the expressions of Anand Bakshi.
Banners of movies Chor Sipahee, Parvarish, Ek Aur Ekk Gyaraah
Banners of movies Chor Sipahee, Parvarish, Ek Aur Ekk Gyaraah
Laxmikant-Pyarelal favored singing choral of Rafi Saab for on-screen character Vinod Khanna when contrasted with other entertainer like Shashi Kapoor. For example, in two male two part harmonies of Rafi-Kishore in CHOR SIPAHEE (1977) and EK AUR EK GYARAH (1981), author pair utilized Rafi Saab's vocal for Vinod Khanna and Kishore Kumar's vocal for Shashi Kapoor. The male two part harmonies were "Bade Maze Se Guzar Jaayegi Yeh Zindegi, Hum Dono Mein Agar Ho Jaye Dosti" and "Mujhko Tujhko Do Geentay… Unko Geeny Do Yara… Kandha Chod Ke Nikal Pare Tu… Hum Hain Ek Aur Ek Gyarah" individually.
In this friendship, the multi-artist tune, "Murmur Premi Prem Karna Jaane, Pyar Ke Dushman Ko Hazaroo Mein Pehchane" from Manmohan Desai's PARVARISH (1977) to be brought up likewise made by Laxmikant-Pyarelal. In this melody, Rafi Saab sung for Vinod Khanna, Kishore Kumar sung for Amitabh Bachchan and Shailendra Singh sung for Shammi Kapoor. This was the main Shammi Kapoor melody where Rafi Saab sung for other entertainer.
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