September 26, 2018
This album contain eleven (11) jhankar songs.
(Sonic Enterprises)
01. Dilbar Dil Jaani
02. He Mubaarak Aaj Ka
03. Jaanu Meri Jaan Main
04. Kaho Kese Rasta Bhool
05. Pehli Nazar Main Ham
06. Saara Jahaan Chhor
07. Tu Mujhe Jaan Se Bhi
08. Tu Rootha To Main
09. Yaar Bina Chain
10. Yeh Din To Aata He
11. Yeh Naina Yaad Hain
Five things with regards to such straightforward tunes, (extremely light type of ghazal/geet) there was definitely no match to Mohammed Rafi Sahab.
His style, interpretation, toss of words, feel, total adjustment to the verses. There was no artist on this globe and there will never be an artist of his bore who can sing better than Rafi sahab. Pick any melody from the rundown beneath and I challenge any artist, any ghazal type, a completely traditionally prepared artist, and so forth – NO ONE CAN COME NEAR RAFI SAHAB.
God has given him a smooth voice, carefully wrapped with a tinge of despairing and a ground-breaking, strong range.
Top music executives of his period, after the chronicle used to embrace Rafi Sahab, kiss his brow, contact his feet and with tears in their eyes used to state, by God, we never made the arrangement like this, however Rafi Saab, you have taken it to an impossible level. He was each music chiefs, on-screen characters, merchants, makers and executives number one decision.
From Bhajans, to ghazals, from fly to tragic tunes, from enthusiastic to satire, from qawwalis to semi traditional, and so on, most extreme defense was intensely emptied by Rafi Saab into every single tune. Each word was painstakingly considered, coordinated altogether with the structure and clearly rendered with most extreme flawlessness.
His inauspicious passing made a humongous vacuum in the field of playback singing. Ghazals, Qawwalis, Bhajans gradually vanished from Bollywood with Rafi Saab. There used to be tunes on Raakhi, Holi, Birthdays, Eids, New year, Diwali, Rangoli, Kite flying, Baisakhi, Weddings, Brides, Brothers, Sisters, Etc.everything evaporated from the scene.
Somebody asked me, that in this current period the innovation is so best in class with remarkable sound hardware, new instruments, extraordinary, refined studios, our tunes must be exceptional, additional normal contrasted with the sixties, seventies or even the eighties. In any case, despite what might be expected, nobody needs to tune in to these melodies, they have no life. They go back and forth so quick.
My own answer is, there are no arrangers in Bollywood who have strong information on music. Everything they do is ' cut and glue ' melodies from the West or even from Far East. They don't form the melody, they program it with the assistance of new innovation. They couldn't care less about the story, or the on-screen character or the interest of the circumstance. Some music chiefs buy melodies from youthful software engineers and bring in cash on it. Innovativeness is dead.
It's a disrespect to hear the melodies of today. They have no life. It's just clamor you hear. No verses, no significance joined to the account of the film. the main mainstream melodies are the modest, dishonorable " thing tunes " picturized on ladies wearing uncovering garments. Individuals are griping that they can't see these motion pictures with their families.
In those past times worth remembering, families used to go to the theaters at whatever point there was another discharge, since they had their trust in the film producers … no more! – So unfortunate!
Rather than delivering such moronic, stupid tunes in Bollywood films, they should clear out playback singing from the business – It's an exercise in futility and cash.
If it's not too much trouble tune in to these amazing numbers sung by Rafi Saab.
The piece is straightforward and lovely, with insignificant arrangement, delightful verses, incredibly very much rendered.
His style, interpretation, toss of words, feel, total adjustment to the verses. There was no artist on this globe and there will never be an artist of his bore who can sing better than Rafi sahab. Pick any melody from the rundown beneath and I challenge any artist, any ghazal type, a completely traditionally prepared artist, and so forth – NO ONE CAN COME NEAR RAFI SAHAB.
God has given him a smooth voice, carefully wrapped with a tinge of despairing and a ground-breaking, strong range.
Top music executives of his period, after the chronicle used to embrace Rafi Sahab, kiss his brow, contact his feet and with tears in their eyes used to state, by God, we never made the arrangement like this, however Rafi Saab, you have taken it to an impossible level. He was each music chiefs, on-screen characters, merchants, makers and executives number one decision.
From Bhajans, to ghazals, from fly to tragic tunes, from enthusiastic to satire, from qawwalis to semi traditional, and so on, most extreme defense was intensely emptied by Rafi Saab into every single tune. Each word was painstakingly considered, coordinated altogether with the structure and clearly rendered with most extreme flawlessness.
His inauspicious passing made a humongous vacuum in the field of playback singing. Ghazals, Qawwalis, Bhajans gradually vanished from Bollywood with Rafi Saab. There used to be tunes on Raakhi, Holi, Birthdays, Eids, New year, Diwali, Rangoli, Kite flying, Baisakhi, Weddings, Brides, Brothers, Sisters, Etc.everything evaporated from the scene.
Somebody asked me, that in this current period the innovation is so best in class with remarkable sound hardware, new instruments, extraordinary, refined studios, our tunes must be exceptional, additional normal contrasted with the sixties, seventies or even the eighties. In any case, despite what might be expected, nobody needs to tune in to these melodies, they have no life. They go back and forth so quick.
My own answer is, there are no arrangers in Bollywood who have strong information on music. Everything they do is ' cut and glue ' melodies from the West or even from Far East. They don't form the melody, they program it with the assistance of new innovation. They couldn't care less about the story, or the on-screen character or the interest of the circumstance. Some music chiefs buy melodies from youthful software engineers and bring in cash on it. Innovativeness is dead.
It's a disrespect to hear the melodies of today. They have no life. It's just clamor you hear. No verses, no significance joined to the account of the film. the main mainstream melodies are the modest, dishonorable " thing tunes " picturized on ladies wearing uncovering garments. Individuals are griping that they can't see these motion pictures with their families.
In those past times worth remembering, families used to go to the theaters at whatever point there was another discharge, since they had their trust in the film producers … no more! – So unfortunate!
Rather than delivering such moronic, stupid tunes in Bollywood films, they should clear out playback singing from the business – It's an exercise in futility and cash.
If it's not too much trouble tune in to these amazing numbers sung by Rafi Saab.
The piece is straightforward and lovely, with insignificant arrangement, delightful verses, incredibly very much rendered.
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