September 28, 2018
This album contain eleven (11) jhankar songs.
(Eagle Enterprises)
01. Ae Larki Pyaar Kare
02. Akhiyon Hi Akhiyon
03. Bolo Bolo Kuchh
04. Chhoro Bhi Yeh
05. Dafli Vaale Dafli
06. Ham Bane Tum Bane
07. Hamain Tum Se Pyaar
08. Jaane Kese Kab
09. Mohabbat He Kya
10. Tum Saath Ho Jab
11. Yeh Larka Haaye
It has been 37 years now that the incredible Mohd Rafi Sahab inhaled his last and left every one of us lamenting his takeoff and missing him. In any case, show me daily or even a large portion of a day when you don't hear somebody talk about him, his life, his tunes and the effect he left in the HFM space as well as on our lives.
A man destined to lowliness and effortlessness, the excellencies he rehearsed till his last day, Rafi Sahab exemplified the character the vast majority recollect him as, an errand person of God. Also, each time he sang a tune, or recorded one, he scored high on this point.
The world and our lives, both, have gotten very intricate, difficult to fathom, and practically mechanical and automated in nature. Emotions have kicked the bucket and individuals are nearly in a race to win fights for material procurement and natural belongings, in a free for all. Time is the greatest imperative for all, yet individuals waste away a similar ware with all out surrender and insouciance.
In the midst of this clamor and mayhem, the voice, the biography and the message of Rafi Sahab seems like a flicker of that notorious silver coating behind the dark billows of a time which sees just viciousness, narrow mindedness, resentment and disagreement.
From a portion of his soonest melodies we draw comfort and philosophical direction that should keep us grounded, and living with an equalization which the world so severely looks for and needs.
Yeh Zindagi ke Mele, duniya mein kam na honge sang Rafi Sahab, implying that human creatures will leave while the world would keep on running, yet with oddly various sentiments and feelings. He likewise said in the melody that world would experience an arrangement or reproduction and rot both thus however we will not live to see the entirety of this.
Rafi Sahab sang various tunes for kids and every one of his tunes beseeched the adolescents to carry on with a blameless and lighthearted life. His stupendous Aaya Re Khilone Wala Khel Khilone Leke Aaya Re compared life to a game played with toys, where each toy would be an indispensable piece of growing up and learning things throughout everyday life. Tunes like Chum Karti Aayi Chidiya or even Chakke Pe Chakka asked children to remain as children and remain as energized and carefree similarly as they were destined to appreciate life.
The lord of his tunes for kids is my unsurpassed most loved Main Gaaoon Tum So Jaao, which consoles and solaces children and offers comfort to them about existence resembling an intense, taxing day however sure to get new waves and a change our fortunes. His tunes were melodies of expectation, tunes of positive change and better occasions. I tune in to this tune each other day and discover motivation, solace and harmony. I believe the present more youthful age needs dosages of this philosophical tune, frequently.
Rafi Sahab's various melodies of nationalism are additionally the need of great importance. We are experiencing significant emergencies over our fringes, and unnecessary loss of significant lives and the expanded weight on the lives of our fighters has been a gigantic reason for concern. I can't think about a progressively pertinent time when our kin need to join together, work and live as one, and battle the foe on the outskirt, just as the various adversaries that have crawled into the woodwork of our lives. To the young people of our country Rafi Sahab left behind what I consider maybe the most enthusiastic and convenient message Ab Tumhaare Hawaale Watan Saathiyon. Slam bhi tum tumhi Lakshman Saathiyon is the least complex and most impressive message which implies our ethical structure and our social texture needs realignment.
Melodies of his devoted to sisters, siblings, guardians proliferate. Le Lo Le Lo duayein maa baap ki, tunes like dekho dil na kisika toote on Rakshabandhan, bachchon tum taqdeer ho, every one of them underline one of the greatest lacunae that exists in the texture of our general public, the tearing down and falling to pieces of familial love and relationship. Rafi Sahab exemplified this in his own life, living totally and relentlessly infatuated with his family and with an extremely extraordinary corner in his heart for his kids.
Religion today is being utilized to isolate individuals instead of unite them. What's more, it is here that Rafi Sahab maybe scored definitely more than some other open figure from the field of diversion. His melodies of solidarity cause one to acknowledge how trivial we have all become. Tu Hindu Banega Na Musalman banega, insaan ki aulad hai insaan banega is one tune which maybe should be advised to every single resident day by day.
An ardent Muslim himself, a devotee of modesty and straightforwardness and given to good cause, Rafi Sahab was maybe the best purveyor of Hindu Bhajans in a joint effort with any semblance of Naushad Sahab and Shakeel Badayuni Sahab. Not once can an audience even in his most out of control creative mind say that strict and theosophical limits exist with regards to Rafi Sahab's tunes of commitment. In the case of recording a Christmas time melody, a Krishna Bhajan or a qawwali to praise a Peer, Rafi Sahab sang with a similar enthusiasm, a similar regard and a similar lowliness.
Isn't that the genuine indication of a flag-bearer of God, a holy person himself?
I can continue endlessly and expound on a hundred tunes of this legend, yet I will not feel worn out on saying that the present reality needs Rafi Sahab's message and tunes unmistakably more than the addresses of government officials, overseers or even strict pioneers.
Who else could have implied it 100% when he sang MAIN KAB GAATA, MERE SWAR MEIN PYAAR KISIKA GAATA HAI.
I bow down to my Idol, the straightforward, humble and absolutely honest man that strolled the earth as a Saint, encouraging all to live respectively in harmony and agreement.
Kabhi is duniya mein Yaaron
Aise farishtey bhi aate hain
Kisi ko apna sab kucchh dekar
Khaali haath chaley jaate hain
Jaise sukh ki chhaya deke
Badal jaaye bikhar pyaare bhai
Rafi Sahab left his substantial structure 37 years back. He currently remains in our souls reminding us to be simply human.
A man destined to lowliness and effortlessness, the excellencies he rehearsed till his last day, Rafi Sahab exemplified the character the vast majority recollect him as, an errand person of God. Also, each time he sang a tune, or recorded one, he scored high on this point.
The world and our lives, both, have gotten very intricate, difficult to fathom, and practically mechanical and automated in nature. Emotions have kicked the bucket and individuals are nearly in a race to win fights for material procurement and natural belongings, in a free for all. Time is the greatest imperative for all, yet individuals waste away a similar ware with all out surrender and insouciance.
In the midst of this clamor and mayhem, the voice, the biography and the message of Rafi Sahab seems like a flicker of that notorious silver coating behind the dark billows of a time which sees just viciousness, narrow mindedness, resentment and disagreement.
From a portion of his soonest melodies we draw comfort and philosophical direction that should keep us grounded, and living with an equalization which the world so severely looks for and needs.
Yeh Zindagi ke Mele, duniya mein kam na honge sang Rafi Sahab, implying that human creatures will leave while the world would keep on running, yet with oddly various sentiments and feelings. He likewise said in the melody that world would experience an arrangement or reproduction and rot both thus however we will not live to see the entirety of this.
Rafi Sahab sang various tunes for kids and every one of his tunes beseeched the adolescents to carry on with a blameless and lighthearted life. His stupendous Aaya Re Khilone Wala Khel Khilone Leke Aaya Re compared life to a game played with toys, where each toy would be an indispensable piece of growing up and learning things throughout everyday life. Tunes like Chum Karti Aayi Chidiya or even Chakke Pe Chakka asked children to remain as children and remain as energized and carefree similarly as they were destined to appreciate life.
The lord of his tunes for kids is my unsurpassed most loved Main Gaaoon Tum So Jaao, which consoles and solaces children and offers comfort to them about existence resembling an intense, taxing day however sure to get new waves and a change our fortunes. His tunes were melodies of expectation, tunes of positive change and better occasions. I tune in to this tune each other day and discover motivation, solace and harmony. I believe the present more youthful age needs dosages of this philosophical tune, frequently.
Rafi Sahab's various melodies of nationalism are additionally the need of great importance. We are experiencing significant emergencies over our fringes, and unnecessary loss of significant lives and the expanded weight on the lives of our fighters has been a gigantic reason for concern. I can't think about a progressively pertinent time when our kin need to join together, work and live as one, and battle the foe on the outskirt, just as the various adversaries that have crawled into the woodwork of our lives. To the young people of our country Rafi Sahab left behind what I consider maybe the most enthusiastic and convenient message Ab Tumhaare Hawaale Watan Saathiyon. Slam bhi tum tumhi Lakshman Saathiyon is the least complex and most impressive message which implies our ethical structure and our social texture needs realignment.
Melodies of his devoted to sisters, siblings, guardians proliferate. Le Lo Le Lo duayein maa baap ki, tunes like dekho dil na kisika toote on Rakshabandhan, bachchon tum taqdeer ho, every one of them underline one of the greatest lacunae that exists in the texture of our general public, the tearing down and falling to pieces of familial love and relationship. Rafi Sahab exemplified this in his own life, living totally and relentlessly infatuated with his family and with an extremely extraordinary corner in his heart for his kids.
Religion today is being utilized to isolate individuals instead of unite them. What's more, it is here that Rafi Sahab maybe scored definitely more than some other open figure from the field of diversion. His melodies of solidarity cause one to acknowledge how trivial we have all become. Tu Hindu Banega Na Musalman banega, insaan ki aulad hai insaan banega is one tune which maybe should be advised to every single resident day by day.
An ardent Muslim himself, a devotee of modesty and straightforwardness and given to good cause, Rafi Sahab was maybe the best purveyor of Hindu Bhajans in a joint effort with any semblance of Naushad Sahab and Shakeel Badayuni Sahab. Not once can an audience even in his most out of control creative mind say that strict and theosophical limits exist with regards to Rafi Sahab's tunes of commitment. In the case of recording a Christmas time melody, a Krishna Bhajan or a qawwali to praise a Peer, Rafi Sahab sang with a similar enthusiasm, a similar regard and a similar lowliness.
Isn't that the genuine indication of a flag-bearer of God, a holy person himself?
I can continue endlessly and expound on a hundred tunes of this legend, yet I will not feel worn out on saying that the present reality needs Rafi Sahab's message and tunes unmistakably more than the addresses of government officials, overseers or even strict pioneers.
Who else could have implied it 100% when he sang MAIN KAB GAATA, MERE SWAR MEIN PYAAR KISIKA GAATA HAI.
I bow down to my Idol, the straightforward, humble and absolutely honest man that strolled the earth as a Saint, encouraging all to live respectively in harmony and agreement.
Kabhi is duniya mein Yaaron
Aise farishtey bhi aate hain
Kisi ko apna sab kucchh dekar
Khaali haath chaley jaate hain
Jaise sukh ki chhaya deke
Badal jaaye bikhar pyaare bhai
Rafi Sahab left his substantial structure 37 years back. He currently remains in our souls reminding us to be simply human.
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