October 03, 2018
This album contain fourteen (14) jhankar songs.
(Dhanak Enterprises)
01. Aa Meri Raani Leja
02. Aane Se Us Ke Aaye
03. Aap Aaye Bahaar Aai
04. Apni Aazaadi Ko Ham
05. Bari Mastaani He
06. Ek Banjaara Gaaye
07. Ham Hi Se Mohabbat
08. Main Raahi Anjaan
09. Mujhe Dunya Vaalo
10. Nain Lar Jai He
11. Poochhe Jo Koi Mujh
12. Rukh Se Zara Naqaab
13. Voh Khushi Mili He
14. Yeh Jo Chilman He
The amazing playback artist Mohammad Rafi went into history at age of 56 years, The heavenly voice that enchanted and hypnotized Bollywood tune sweethearts everywhere throughout the world for right around four decades floated away into heartfelt quiet with his final gasp.
In any case, in bigger sense, he never got quiet. He is with us as long his tunes are with us. I don't miss him in light of the fact that ordinary I sing and listen his tunes. A long time back, I guaranteed myself to tune in whatever number of his melodies as could be allowed, consistently. It has been an overwhelming assignment basically in light of the fact that there are a couple thousand tunes. Be that as it may, to listen one and at times a couple of new melodies each morning gives me a reviving beginning and gigantic bliss rest of the day.
Indeed, Rafi saheb's well known and mainstream melodies are sublime by each measure and meter, yet at the same time there some similarly heavenly tunes that didn't become as famous. To recollect him and those melodies, if it's not too much trouble go along with me and listen following "less heard" tunes:
Ganga tera pani amrit (1971) from the film of same name. Composed by acclaimed lyricist Sahir Ludhianvi on Ravi's music. This tune is such a powehouse of Rafi saheb's high notes that its mixing sway that leaves audience in enthusiastic happiness. It is history telling melody.
Duniya na bhaye mohe abdominal muscle to bula le (1956) from film Basant Bahar. Verses Shailendra and music by Shankar Jaikishen. This tune and different tunes of this film demonstrated that the traditional music gifts fo SJ were no not as much as that of Nashasd's in Baiju Bawara (1951) renowned "man tarpat hari darshan" and "o duniya ke rakhwale". This tune, in any case, has more soul and profundity directly from Rafi saheb's beginning alaap and last refrain's agonizing and humble request.
Ilahi tu sunle hamri dua (1971) from film Chote Nawab, well known humorist Mehmood's first creation. Words are by Shailendra and music made by R. D Burman (his first movie as music executive, and what a moving music-listen different melodies of this film). This melody shows greatness of Rafi saheb's sublime expertise to adjust voice to coordinate the character on screen and to bring continued poignancy the notes of tune require. Best melody about regard for parent.
Dil tardpe tardpaye (1965) from film Poonam Ki Raat. Words by Shailendra and music by Salil Chowdhury. This frightful melody's words are dubious ( notice this series of words - dil tarpe tarpaye) and SC's music with resonant tune is multi layered and quick and make it a troublesome sythesis however not for Rafi saheb to sing. Be set up to moved to the universe of imagination.
Aaye Baharon Ki Sham(1969) from flim Wapas. Words are by lyricist Majrooh Sultanpuri and music is by Laxmikant Payrelal. Rafi saheb isn't simply singing however sweetly murmuring. Note non-abrasiveness of his voice in words "badhaya tamana ka jaam".
Kaise kategi zindagi tere bagair(1968) from film Jahan Hum Wahan Tum which was rarely completed thus its tunes were overlooked. In 2009 stars adjusted to bring this melody before open. Not certain who composed the words likely Rajendra Krishan or Raja Mehdi Ali Khan. The music is by Madan Mohan. His child Sanjiv Kohli discovered this tune among his dad's unreleased chronicles. It energizes my heart to think there are unquestionably numerous different tunes still to be found. This tune is a tribute to both Madan and Rafi saheb.
In any case, in bigger sense, he never got quiet. He is with us as long his tunes are with us. I don't miss him in light of the fact that ordinary I sing and listen his tunes. A long time back, I guaranteed myself to tune in whatever number of his melodies as could be allowed, consistently. It has been an overwhelming assignment basically in light of the fact that there are a couple thousand tunes. Be that as it may, to listen one and at times a couple of new melodies each morning gives me a reviving beginning and gigantic bliss rest of the day.
Indeed, Rafi saheb's well known and mainstream melodies are sublime by each measure and meter, yet at the same time there some similarly heavenly tunes that didn't become as famous. To recollect him and those melodies, if it's not too much trouble go along with me and listen following "less heard" tunes:
Ganga tera pani amrit (1971) from the film of same name. Composed by acclaimed lyricist Sahir Ludhianvi on Ravi's music. This tune is such a powehouse of Rafi saheb's high notes that its mixing sway that leaves audience in enthusiastic happiness. It is history telling melody.
Duniya na bhaye mohe abdominal muscle to bula le (1956) from film Basant Bahar. Verses Shailendra and music by Shankar Jaikishen. This tune and different tunes of this film demonstrated that the traditional music gifts fo SJ were no not as much as that of Nashasd's in Baiju Bawara (1951) renowned "man tarpat hari darshan" and "o duniya ke rakhwale". This tune, in any case, has more soul and profundity directly from Rafi saheb's beginning alaap and last refrain's agonizing and humble request.
Ilahi tu sunle hamri dua (1971) from film Chote Nawab, well known humorist Mehmood's first creation. Words are by Shailendra and music made by R. D Burman (his first movie as music executive, and what a moving music-listen different melodies of this film). This melody shows greatness of Rafi saheb's sublime expertise to adjust voice to coordinate the character on screen and to bring continued poignancy the notes of tune require. Best melody about regard for parent.
Dil tardpe tardpaye (1965) from film Poonam Ki Raat. Words by Shailendra and music by Salil Chowdhury. This frightful melody's words are dubious ( notice this series of words - dil tarpe tarpaye) and SC's music with resonant tune is multi layered and quick and make it a troublesome sythesis however not for Rafi saheb to sing. Be set up to moved to the universe of imagination.
Aaye Baharon Ki Sham(1969) from flim Wapas. Words are by lyricist Majrooh Sultanpuri and music is by Laxmikant Payrelal. Rafi saheb isn't simply singing however sweetly murmuring. Note non-abrasiveness of his voice in words "badhaya tamana ka jaam".
Kaise kategi zindagi tere bagair(1968) from film Jahan Hum Wahan Tum which was rarely completed thus its tunes were overlooked. In 2009 stars adjusted to bring this melody before open. Not certain who composed the words likely Rajendra Krishan or Raja Mehdi Ali Khan. The music is by Madan Mohan. His child Sanjiv Kohli discovered this tune among his dad's unreleased chronicles. It energizes my heart to think there are unquestionably numerous different tunes still to be found. This tune is a tribute to both Madan and Rafi saheb.
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