November 20, 2018
This album contain fourteen (14) jhankar songs.
(Heera Enterprises)
01. Aaj Kal Main Dhal Gaya
02. Agar Mujh Se Mohabbat
03. Chhor De Saari Dunya
04. Gar Tum Bhula Na Doge
05. Ham Hain Mataaye Koocha
06. Ham Ne Dekhi He
07. Ham Tere Pyaar Main Saara
08. Har Khushi Ho Vahaan
09. Naina Barsain Rimjhim
10. Pankh Hoti To Ur Aati
11. Rasm-e-Ulfat Ko
12. Teri Aankhon Ke Siva
13. Tum Mujhe Yun Bhula
14. Voh Dekho Jala Ghar
Lata didi was naturally introduced to a group of craftsmen where her dad, Pandit Deenanath Mangeshkar, an old style vocalist and theater entertainer found her singing ability.
Deenanath ran a performance center organization that delivered melodic plays where Lata began acting by the age of five.
Lata's capacity to sing Raag Puriya Dhanashree helped him find her singing ability. Addressing Stardust, she reviews, "It so happened that once my dad asked his shagird (supporter) to rehearse a raag while he completed some work. I was playing close by and unexpectedly a note of the raag that shagird was rendering, jostled. Furthermore, the following moment, I was amending him. At the point when my dad returned, he found a shagird in his own little girl."
Lata's dad said to her mom, "We have a vocalist at home. We never knew it."
At five, Lata began functioning as an entertainer in her dad's Marathi melodic plays, otherwise called 'Sangeet Natak'.
On her first day at school, when she began instructing tunes to other youngsters, the instructor halted her. While some accepted that she quit going to class since she was so irate, others said she left since they would not permit her to bring Asha.
Lataji took in music from stalwarts like Aman Ali Khan Sahib and Amanat Khan, aside from her dad. She recorded her first melody in 1942 for the Marathi film, Kiti Hasaal; however it never came around, as it was altered from the film. The tune was called Naachu Yaa Gade, Khelu Saari Mani. In spite of the fact that Natali Chaitraachi Navalaai is known as her Marathi melody debut.
Deenanath ran a performance center organization that delivered melodic plays where Lata began acting by the age of five.
Lata's capacity to sing Raag Puriya Dhanashree helped him find her singing ability. Addressing Stardust, she reviews, "It so happened that once my dad asked his shagird (supporter) to rehearse a raag while he completed some work. I was playing close by and unexpectedly a note of the raag that shagird was rendering, jostled. Furthermore, the following moment, I was amending him. At the point when my dad returned, he found a shagird in his own little girl."
Lata's dad said to her mom, "We have a vocalist at home. We never knew it."
At five, Lata began functioning as an entertainer in her dad's Marathi melodic plays, otherwise called 'Sangeet Natak'.
On her first day at school, when she began instructing tunes to other youngsters, the instructor halted her. While some accepted that she quit going to class since she was so irate, others said she left since they would not permit her to bring Asha.
Lataji took in music from stalwarts like Aman Ali Khan Sahib and Amanat Khan, aside from her dad. She recorded her first melody in 1942 for the Marathi film, Kiti Hasaal; however it never came around, as it was altered from the film. The tune was called Naachu Yaa Gade, Khelu Saari Mani. In spite of the fact that Natali Chaitraachi Navalaai is known as her Marathi melody debut.
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