June 30, 2020
(Sonic Enterprises)
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HOW TO DOWNLOAD
Go to the search box of blog and search for your song\album.
Or Select album by using Albums & Artists gadget at blog.
Open the album post and click on song link.
Click on the “SKIP AD” link to Visit Google Drive page.
Click on "Download Button" or Play Online.
Enjoy...!!!
TRACKS
01. Aa Jaao Tarapte Hain
02. Ae Mere Dil-e-Nadaan
03. Chhor Gaye Baalam
04. Do Din Ki Khushi
05. Dunya Main Nahi Koi
06. Ham Tujh Se Mohabbat
07. Mehfil Main Jal Uthi
08. Mera Jeevan Saathi
09. Meri Kahaani Bhoolne
10. Mohabbat Ki Jhooti
11. Pyaar Kia To Darna
12. Tasveer Banaata Hoon
13. Teri Yaad Main Jal Kar
14. Voh Paas Rahain Ya
15. Yaad Kia Dil Ne Kahaan
16. Yahaan Badla Vafa
Lata Mangeshkar recollected her relationship with other female performers. Mangeshkar first referenced Saraswati Devi, the main female writer in Indian film, and afterward Usha Khanna, who solidly got through what had become a male bastion in Hindi film. At last, she reviewed the Marathi melodies tuned by her sister, Meena Mangeshkar.
As an idea in retrospect, the artist recalled another writer, whom she flippantly said she was firmly connected with: Anandghan. The arranger was as a matter of fact Lata Mangeshkar. Utilizing the alias, signifies "haze of bliss" in Marathi, Mangeshkar formed music for four Marathi films during the 1960s: Mohityanchi Manjula (1963), Maratha Tituka Melvava (1964), Sadhi Manasa (1965) and Tambadi Mati (1969).
A long time before Anandghan showed up, Mangeshkar had composed music for a Marathi film in 1950 under her own name. At that point scarcely 20, she took care of the score for Dinkar D Patil's Ram Pahune (1950). A productive movie producer, Patil made tamasha music well known in Marathi film. Not exclusively was Ram Pahune a major achievement, yet additionally its tunes were very mainstream. In a job inversion of sorts, Mangeshkar even got writer vocalist C Ramchandra to sing an infectious two part harmony for her, Mazya Shetat Sonachi Piktay, alongside her sister Meena.
Mangeshkar sang the tuneful numbers Shapath Dudhachi Hya Aaichya and Tu Gupit Kunala Sangu Nako Aapule while likewise creating two incredible tamasha tunes, Kashi Jadli Sang Tuzya Warti Mazi Preeti and Raya Galaat Khudkan Hasa.
The incredible Bhalji Pendharkar coordinated the four movies for which Mangeshkar created music under her pen name. Hearing the tunes from every one of these motion pictures, one wonders about the flawless songs, yet in addition Mangeshkar's rich information and lovely utilization of Marathi society music. The tunes she saved for herself are effectively a portion of her best ever, which, taking a gander at her unfathomably huge collection, is stating a great deal. Mangeshkar created great numbers for her kin also. One of Asha Bhosle's most notable Marathi film melodies is the arousing Reshmachya Rhegani from Maratha Tikuka Melvava.
Sadhi Manasa, specifically, was a triumph. The show about family respect and the significance of customary qualities won the President's Silver Award for the Best Marathi Film at the National honors just as the Maharashtra State Awards for Best Film, Best Music for Anandghan and Best Playback Singer for Mangeshkar. Sadhi Manasa contains a portion of Mangeshkar's best structures, including Rajachya Rangmahali, Malyachya Malyamandi, Nako Devaraya Anta Aata and the champion number, Airanichya Deva Tula, which is additionally lifted by splendid woodwind playing by Hariprasad Chaurasia.
Mangeshkar scored music for one more National honor victor for Best Marathi Film for the conjugal acting Tambadi Mati. Mangeshkar created paramount melodies for sibling Hridaynath (Doul Moracha Maanacha) and herself (Maagate Man Ek Kahi, Mazya Kapalache Kunku Bhasma Vilepit and Zala Sakharpuda) in Tambadi Mati. The movie, be that as it may, end up being her swansong as a music executive. Composing music implied a few sittings and conversations with lyricists, artists, different vocalists and the movie producer other than practices and genuine chronicles. Unfit to tear herself away from her stuffed singing calendar, which now and then included numerous accounts in a day, Mangeshkar resigned Anadghan. The misfortune was definitely felt by Marathi film and devotees of Lata Mangeshkar's creating capacities.
As an idea in retrospect, the artist recalled another writer, whom she flippantly said she was firmly connected with: Anandghan. The arranger was as a matter of fact Lata Mangeshkar. Utilizing the alias, signifies "haze of bliss" in Marathi, Mangeshkar formed music for four Marathi films during the 1960s: Mohityanchi Manjula (1963), Maratha Tituka Melvava (1964), Sadhi Manasa (1965) and Tambadi Mati (1969).
A long time before Anandghan showed up, Mangeshkar had composed music for a Marathi film in 1950 under her own name. At that point scarcely 20, she took care of the score for Dinkar D Patil's Ram Pahune (1950). A productive movie producer, Patil made tamasha music well known in Marathi film. Not exclusively was Ram Pahune a major achievement, yet additionally its tunes were very mainstream. In a job inversion of sorts, Mangeshkar even got writer vocalist C Ramchandra to sing an infectious two part harmony for her, Mazya Shetat Sonachi Piktay, alongside her sister Meena.
Mangeshkar sang the tuneful numbers Shapath Dudhachi Hya Aaichya and Tu Gupit Kunala Sangu Nako Aapule while likewise creating two incredible tamasha tunes, Kashi Jadli Sang Tuzya Warti Mazi Preeti and Raya Galaat Khudkan Hasa.
The incredible Bhalji Pendharkar coordinated the four movies for which Mangeshkar created music under her pen name. Hearing the tunes from every one of these motion pictures, one wonders about the flawless songs, yet in addition Mangeshkar's rich information and lovely utilization of Marathi society music. The tunes she saved for herself are effectively a portion of her best ever, which, taking a gander at her unfathomably huge collection, is stating a great deal. Mangeshkar created great numbers for her kin also. One of Asha Bhosle's most notable Marathi film melodies is the arousing Reshmachya Rhegani from Maratha Tikuka Melvava.
Sadhi Manasa, specifically, was a triumph. The show about family respect and the significance of customary qualities won the President's Silver Award for the Best Marathi Film at the National honors just as the Maharashtra State Awards for Best Film, Best Music for Anandghan and Best Playback Singer for Mangeshkar. Sadhi Manasa contains a portion of Mangeshkar's best structures, including Rajachya Rangmahali, Malyachya Malyamandi, Nako Devaraya Anta Aata and the champion number, Airanichya Deva Tula, which is additionally lifted by splendid woodwind playing by Hariprasad Chaurasia.
Mangeshkar scored music for one more National honor victor for Best Marathi Film for the conjugal acting Tambadi Mati. Mangeshkar created paramount melodies for sibling Hridaynath (Doul Moracha Maanacha) and herself (Maagate Man Ek Kahi, Mazya Kapalache Kunku Bhasma Vilepit and Zala Sakharpuda) in Tambadi Mati. The movie, be that as it may, end up being her swansong as a music executive. Composing music implied a few sittings and conversations with lyricists, artists, different vocalists and the movie producer other than practices and genuine chronicles. Unfit to tear herself away from her stuffed singing calendar, which now and then included numerous accounts in a day, Mangeshkar resigned Anadghan. The misfortune was definitely felt by Marathi film and devotees of Lata Mangeshkar's creating capacities.
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