July 10, 2020
(Eagle Enterprises)
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HOW TO DOWNLOAD
Go to the search box of blog and search for your song\album.
Or Select album by using Albums & Artists gadget at blog.
Open the album post and click on song link.
Click on the “SKIP AD” link to Visit Google Drive page.
Click on "Download Button" or Play Online.
Enjoy...!!!
TRACKS
01. Aaj Puraani Raahon
02. Agar Bevafa Tujh Ko
03. Bhari Dunya Main
04. Chaahonga Main Tujhe
05. Dil Jo Na Kehh Saka
06. Gham Uthaane Ke Liye
07. Is Bhari Dunya Main
08. Khilona Jaan Kar
09. Mere Dushman Tu Meri
10. Pardesiyon Se Na
11. Teri Galyon Main Na
12. Teri Zulfon Se
13. Tujh Ko Pukaare Mera
14. Yeh Dunya Yeh Mehfil
Which is the reason 30 years after his demise - he died on July 31,1980,at the age of 55 - fans show up from inaccessible corners of the world to visit his grave in Juhu,Mumbai;some even arrangement Rafi occasions to meet and tune in to his tunes each year.Which is the reason wistfulness soirees like 'Ek Sham Rafi Ke Naam' keep on giving pleasant work to many his clones in urban areas and humble communities across India.Which is the reason sites committed to him are practically similar to holy places where each article composed on him is respectfully posted.And which is the reason fans are as yet crusading to get him the Bharat Ratna.
His fan base isn't altogether 40-plus."Just watch the youthful entertainers on TV music ability shows.So a considerable lot of them choose Rafi numbers.He is as yet a standout amongst other selling vocalists," says Najma Merchant,senior expert with Saregama.
Basically put,Rafi is the most adaptable male artist Bollywood has seen.Peppy sentimental numbers,tearful melodies,ghazals,bhajans,qawwalis,folk,classical - he could sing all genres,all octaves effortlessly.That's what helped him become the playback for the greatest stars: Dilip Kumar,Dev Anand,Bharat Bhushan,Pradeep Kumar,Shammi Kapoor,Rajendra Kumar,and Dharmendra among numerous others.
He additionally had the unique capacity to soak up a star's style and interpret it in a song.Shammi Kapoor reviews: "When I traveled to another country and Rafi saab had recorded one in my absence.I returned and heard it;I was astounded.He had caught my ada,my andaaz,my energy.I asked him how he did it.Rafi saab said smilingly: 'I envisioned this is the means by which Shammi would hop or roll or lift his hand or get a move on or head and sang in like manner.' And that was actually how I ordered that song.It was uncanny."
Music executive Pyarelal (the other portion of Laxmikant) further shows the point."Just tune in to Din dhal jaaye,a Dada Burman creation from Guide.See how he mixes the mind-set of Dev Anand's character into the song.That's what was so uncommon about him," he says.But that was Rafi: a teetotaller who sounded the ideal alcoholic in Mujhe duniya walon sharabi na samjho (film: Leader,1964).
Rafi made his introduction as a playback artist in the mid 1940s;there's impressive discussion over the tune and the film.Some say,his first melody - a two part harmony with Zeenat Begum for writer Shyam Sunder - was recorded for the Punjabi film Gul Baloch in 1941 however the film was discharged in 1944.
However,in a meeting to Star and Style magazine,a hardly any days prior to his death,the vocalist had reviewed that he previously sang for Laila Majnu (1945) for author Pandit Govindram."I sang in the theme for a qawwali.I had even done a piece job in the film," said the Amritsar-conceived artist who proceeded to record in any event 12 dialects.
In the equivalent interview,he recalled how his seniors overpowered him with their beauty: "When I entered the line,there were,of course,popular artists like Saigal saab,G M Durrani and Khan Mastana.Unki khoobi yeh thi janab ki as opposed to considering me one more contender they urged me to put forth a valiant effort."
Through the 1950s and 1960s,Rafi was the top male artist in Hindi films.There is a discussion over the quantity of melodies he gave voice to.What is unquestionable is that he administered the diagrams in the super-hit radio commencement show,Binaca Geet Mala,and regularly beat the yearly show.His numbers - Aye dil hai mushqil (film: CID,1956),Zara saamne to aao chhaliye (film: Janam Ke Phere,1957),Teri pyaari surat ko (film: Sasural,1962),Baharon phool barsao (film: Suraj,1966) - were completely delegated the year's best tunes.
Furthermore, however the Kishore Kumar wave hit Bollywood with Aradhana in 1969 and sent him into close wild for seven years,his rebound with Laila Majnu (1976) and Hum Kissi Se Kum Nahin (1977) was similarly staggering.
The achievement didn't come simple. The individuals who worked with him vouch for the artist's commitment to his craft.Music executive Khayyam reviews that during the account of Jaane kya dhoondti hain (film: Shola Aur Shabnam,1961),Rafi was running a 102-degree fever."But he was stressed over the maker's misfortunes and we proceeded with the recording.Despite the fever,nobody could have sung the number any better." Manna Dey concurs: "He was flexible and dedicated.His singing contacted individuals' hearts."
Achievement would never chew into his liberality and humility.Radio moderator Ameen Sayani reviews that when authors Laxmikant-Pyaarelal moved toward him for a melody for their presentation film,Chhaila Babu (1967) - despite the fact that Parasmani (1963) was the first to be discharged - they admitted that the maker was in no situation to pay the vocalist his real fees."Rafi just let him know: 'Go ahead,record the song.We will talk about such later.' When the chronicle was completed,he just restored the compensation to the arrangers and said,'Please partition it among yourselves.This is your introduction film so please acknowledge the cash as a component of my great wishes,'" says Sayani.
Composing for The Illustrated Weekly's August 2,1993 issue,senior columnist Raju Bharatan reviewed a comparative incident.In 1953,Nissar Baazmi,then a mostly secret arranger who later got renowned in Pakistan,approached Rafi for a song he had formed for a C-grade film,Khoj."Rafi charged Baazmi only a symbolic Re 1 to deliver the paramount Radio Ceylon hit,Chanda ka dil honk gaya.What a convincing feeling of articulation Rafi brought to this tune of a battling writer," composed Bharatan.
Includes Pyaarelal: "He showed comparative liberality to numerous authors. As an artist as well as a person, there was only one Rafi."
Sayani,who analyzed many Rafi appears, likewise uncovers a mostly secret aspect of the artist: his feeling of equity and correspondence. "Rafi saab would fly economy class with the remainder of the troupe as opposed to sit alone in the official class. What's more, he would likewise demand being set up in a similar lodging as all of us," says the notable radio host.
Rafi was additionally an exceptionally obliging singer.Mubarak Begum who sang the hit two part harmony Mujhko apne storm laga lo (film: Hamrahi,1963) says Rafi regarded the two his youngsters and seniors. "We needed to record the melody Devta tum ho (film: Daera,1953).I couldn't coordinate his pitch and mentioned him to bring down it. He promptly obliged."
Rafi was known for his warm heart and liberal impulses.Friends review how he made for an incredible host and served companions the best yakhni pulao and lamb korma.He could likewise be childlike.He would be despondent each time he lost a kite duel with neighbor Manna Dey.Says Dey,"One day,we met in a studio.Rafi approached me and asked: 'Nourishment da,aap roz meri patang ko kaat rahen hain.Kya raaz hai?' I let him know: 'Dekho Rafi miyan,tumhe patang udaani nahin aati.I am an expert'." The tales are endless.And even three decades after he passed away,they are described with warmth for the artist who was additionally an ideal gentleman.The vocalist may have gone but,as long as darlings serenade their darlings with Bollywood songs,Rafi will be until the end of time.
His fan base isn't altogether 40-plus."Just watch the youthful entertainers on TV music ability shows.So a considerable lot of them choose Rafi numbers.He is as yet a standout amongst other selling vocalists," says Najma Merchant,senior expert with Saregama.
Basically put,Rafi is the most adaptable male artist Bollywood has seen.Peppy sentimental numbers,tearful melodies,ghazals,bhajans,qawwalis,folk,classical - he could sing all genres,all octaves effortlessly.That's what helped him become the playback for the greatest stars: Dilip Kumar,Dev Anand,Bharat Bhushan,Pradeep Kumar,Shammi Kapoor,Rajendra Kumar,and Dharmendra among numerous others.
He additionally had the unique capacity to soak up a star's style and interpret it in a song.Shammi Kapoor reviews: "When I traveled to another country and Rafi saab had recorded one in my absence.I returned and heard it;I was astounded.He had caught my ada,my andaaz,my energy.I asked him how he did it.Rafi saab said smilingly: 'I envisioned this is the means by which Shammi would hop or roll or lift his hand or get a move on or head and sang in like manner.' And that was actually how I ordered that song.It was uncanny."
Music executive Pyarelal (the other portion of Laxmikant) further shows the point."Just tune in to Din dhal jaaye,a Dada Burman creation from Guide.See how he mixes the mind-set of Dev Anand's character into the song.That's what was so uncommon about him," he says.But that was Rafi: a teetotaller who sounded the ideal alcoholic in Mujhe duniya walon sharabi na samjho (film: Leader,1964).
Rafi made his introduction as a playback artist in the mid 1940s;there's impressive discussion over the tune and the film.Some say,his first melody - a two part harmony with Zeenat Begum for writer Shyam Sunder - was recorded for the Punjabi film Gul Baloch in 1941 however the film was discharged in 1944.
However,in a meeting to Star and Style magazine,a hardly any days prior to his death,the vocalist had reviewed that he previously sang for Laila Majnu (1945) for author Pandit Govindram."I sang in the theme for a qawwali.I had even done a piece job in the film," said the Amritsar-conceived artist who proceeded to record in any event 12 dialects.
In the equivalent interview,he recalled how his seniors overpowered him with their beauty: "When I entered the line,there were,of course,popular artists like Saigal saab,G M Durrani and Khan Mastana.Unki khoobi yeh thi janab ki as opposed to considering me one more contender they urged me to put forth a valiant effort."
Through the 1950s and 1960s,Rafi was the top male artist in Hindi films.There is a discussion over the quantity of melodies he gave voice to.What is unquestionable is that he administered the diagrams in the super-hit radio commencement show,Binaca Geet Mala,and regularly beat the yearly show.His numbers - Aye dil hai mushqil (film: CID,1956),Zara saamne to aao chhaliye (film: Janam Ke Phere,1957),Teri pyaari surat ko (film: Sasural,1962),Baharon phool barsao (film: Suraj,1966) - were completely delegated the year's best tunes.
Furthermore, however the Kishore Kumar wave hit Bollywood with Aradhana in 1969 and sent him into close wild for seven years,his rebound with Laila Majnu (1976) and Hum Kissi Se Kum Nahin (1977) was similarly staggering.
The achievement didn't come simple. The individuals who worked with him vouch for the artist's commitment to his craft.Music executive Khayyam reviews that during the account of Jaane kya dhoondti hain (film: Shola Aur Shabnam,1961),Rafi was running a 102-degree fever."But he was stressed over the maker's misfortunes and we proceeded with the recording.Despite the fever,nobody could have sung the number any better." Manna Dey concurs: "He was flexible and dedicated.His singing contacted individuals' hearts."
Achievement would never chew into his liberality and humility.Radio moderator Ameen Sayani reviews that when authors Laxmikant-Pyaarelal moved toward him for a melody for their presentation film,Chhaila Babu (1967) - despite the fact that Parasmani (1963) was the first to be discharged - they admitted that the maker was in no situation to pay the vocalist his real fees."Rafi just let him know: 'Go ahead,record the song.We will talk about such later.' When the chronicle was completed,he just restored the compensation to the arrangers and said,'Please partition it among yourselves.This is your introduction film so please acknowledge the cash as a component of my great wishes,'" says Sayani.
Composing for The Illustrated Weekly's August 2,1993 issue,senior columnist Raju Bharatan reviewed a comparative incident.In 1953,Nissar Baazmi,then a mostly secret arranger who later got renowned in Pakistan,approached Rafi for a song he had formed for a C-grade film,Khoj."Rafi charged Baazmi only a symbolic Re 1 to deliver the paramount Radio Ceylon hit,Chanda ka dil honk gaya.What a convincing feeling of articulation Rafi brought to this tune of a battling writer," composed Bharatan.
Includes Pyaarelal: "He showed comparative liberality to numerous authors. As an artist as well as a person, there was only one Rafi."
Sayani,who analyzed many Rafi appears, likewise uncovers a mostly secret aspect of the artist: his feeling of equity and correspondence. "Rafi saab would fly economy class with the remainder of the troupe as opposed to sit alone in the official class. What's more, he would likewise demand being set up in a similar lodging as all of us," says the notable radio host.
Rafi was additionally an exceptionally obliging singer.Mubarak Begum who sang the hit two part harmony Mujhko apne storm laga lo (film: Hamrahi,1963) says Rafi regarded the two his youngsters and seniors. "We needed to record the melody Devta tum ho (film: Daera,1953).I couldn't coordinate his pitch and mentioned him to bring down it. He promptly obliged."
Rafi was known for his warm heart and liberal impulses.Friends review how he made for an incredible host and served companions the best yakhni pulao and lamb korma.He could likewise be childlike.He would be despondent each time he lost a kite duel with neighbor Manna Dey.Says Dey,"One day,we met in a studio.Rafi approached me and asked: 'Nourishment da,aap roz meri patang ko kaat rahen hain.Kya raaz hai?' I let him know: 'Dekho Rafi miyan,tumhe patang udaani nahin aati.I am an expert'." The tales are endless.And even three decades after he passed away,they are described with warmth for the artist who was additionally an ideal gentleman.The vocalist may have gone but,as long as darlings serenade their darlings with Bollywood songs,Rafi will be until the end of time.
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