July 13, 2020
(Million Enterprises)
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HOW TO DOWNLOAD
Go to the search box of blog and search for your song\album.
Or Select album by using Albums & Artists gadget at blog.
Open the album post and click on song link.
Click on the “SKIP AD” link to Visit Google Drive page.
Click on "Download Button" or Play Online.
Enjoy...!!!
TRACKS
01. Bahaar Mera Jeevan
02. Chalo Sajna Jahaan Tak
03. Do Dil Toote Do Dil
04. Ghairon Peh Karam
05. Ham The Jin Ke
06. Jaane Kyun Log Mohabbat
07. Lo Aagai Un Ki Yaad
08. Milo Na Tum To Ham
09. Milti He Zindagi Main
10. Na Koi Umang He
11. Rangeela Re Tere
12. Tum Hi Mere Mandir
It was coordinated by Bimal Roy dependent on the Sharat Chandra Chattopadhyay tale of a similar name. Tunes "Jise tu qubool karle", "Stomach muscle aage teri marzi" and "O jaan-e-rib ruk ja" are Lata Mangeshkar numbers from this film.
In Raju Bharatan's memoir on Lata Mangeshkar, he says "for a long time Lata didn't sung for SD Burman and it offered opportunity to her sister Asha Bhosle to prepare herself as a total artist under Dada Burman tutelage, resuming from the last known point of interest in the chronicle authority of O. P. Nayyer. Anyway the second SD made up with Lata, Asha was consigned to second status. "Lata was forever my first serve. Dada disclosed to me, paan-touched offhanded. "Asha turned into my subsequent serve, when I again got my first serves Lata working!" "For a specific melody," Lata is cited as saying, "I was asked by Dada Burman to sing in an extra-delicate voice. I complied. The melody was Okayed. Later Dada believed that the decision of an extra-delicate voice was not a cheerful one. So I got another message for a re-recording. I mentioned for a couple of days' time, as I was occupied with different chronicles. The plots of specific 'kind' spirits prompted a misconception and Dada brought in another vocalist to re-record the melody," closes Lata".
Raju Bharatan includes that specific "kind soul", Jaidev uncovered that the tune was 'Pag thumak chalat balkhaaye haay saiyan kaise dharun dheer' set to go on Vyjantimala in "Sitaron Sei Aagey" made in 1958. It didn't come up to SD's guidelines. Amusingly this tune was utilized again by SD in the film 'Guide' as 'Saiyyan be-imaan'. SD anyway didn't consent to this perception of the questioner.
On the above discussion, I should report the two adaptations, one that of Jaidev and afterward that of Lata (as effectively composed above) on the reasons of irritation. Jaidev was on the telephone at Dada's home when the solicitation was made, through him by Dada, for a re-recording of 'Saiyan kaise dharun dheer' by Lata. Jaidev disclosed to me he answered to Dada, even while clutching the beneficiary, what precisely Lata had said. Lata, Jaidev stated, had let him know there was no chance she could then fit in Dada Burman for a re-recording since she was very nearly continuing abroad. "All things considered," Jaidev said Dada let him know, "reveal to Lata she should give us first inclination when she comes back from abroad." Jaidev said he properly imparted those Dada news to Lata who, as per him, would make no such main goal re-recording responsibility via telephone. "All things considered," Jaidev said Dada at last let him know in an attack of provoke, "reveal to Lata that we don't need her at all in the event that she can't give us first inclination on her arrival!"
Lata's form is "I was vexed," "Nonetheless, at whatever point we ran into one another (after that occurrence), the discussion followed a similar course. "Namaskar, Dada", I would state. To which Dada would state: "How are you Lota?" To which I would state: "I am good Dada," and Dada would proceed onward. At that point in Guide or Bandini, I can't remember, I got a message that Dada needed me. I was unmistakably hesitant. At that point Dada called himself: Lota, "I have some work, do come." Dada chided her and they wound up in recording two awesome tunes for 'Bandini', 'Jogi Jab Sei Tu Aaya negligible Duware' and 'Abdominal muscle Kei Bhaij Bhaiya Ko Babul'. I may have missed numerous other Lata-SD tunes however above accommodation does the trick in the manner SD utilized Lata's voice agreeably well in the entirety of its adaptability. All said and done, my record-breaking most loved remains Lata's 'Abdominal muscle Tau Hei Tum Sei Har Khushi Apni' from 'Abhimaan' however 'Teri Bindiya Re' a two part harmony by Lata and Rafi too is acceptable.
Jaidev and Lata: I would recollect Jaidev and Lata for at any rate three melodies; two bhajans 'Parabhu Tero Naam', 'Allah Tero Naam. Eishwar Tero Naam' from Dev Anand-Sadhna-Nanda 1961 film 'Murmur Dono' and 'Tumhain Daikhti Hun Tau Lagta Hei Aise' imagined on Vidya Sinha and Sanjeev Kumar for the film "Tumhare Liye" with verses by Naqsh Lyallpuri.
It was in 1963 that Lata's tune 'Raat Bhi Hei Kutch Bheegi, Chand Bhi Hei Kutch Madham' continued frequenting me for quite a while when Sunil Dutt-Waheeda Rehman starrer film 'Mujhe Jeeney Do' was discharged. Aside from the move imagined by Waheeda Rehman on this tune, the music was charming. It had another delightful tune 'Terey Bachpan Ko Jawani Ki Dua Daiti Hun' in light of the account of a criminal who has a youngster from Waheeda Rehman and expecting that their kid may follow his dad's strides, she is incredulous while appealing to God for his long life.
His huge break as an undeniable music chief accompanied Chetan Anand's film, Joru Ka Bhai, with Lata's wonderful tune 'Subha Ka Intizar Kaun Kare'.
In Raju Bharatan's memoir on Lata Mangeshkar, he says "for a long time Lata didn't sung for SD Burman and it offered opportunity to her sister Asha Bhosle to prepare herself as a total artist under Dada Burman tutelage, resuming from the last known point of interest in the chronicle authority of O. P. Nayyer. Anyway the second SD made up with Lata, Asha was consigned to second status. "Lata was forever my first serve. Dada disclosed to me, paan-touched offhanded. "Asha turned into my subsequent serve, when I again got my first serves Lata working!" "For a specific melody," Lata is cited as saying, "I was asked by Dada Burman to sing in an extra-delicate voice. I complied. The melody was Okayed. Later Dada believed that the decision of an extra-delicate voice was not a cheerful one. So I got another message for a re-recording. I mentioned for a couple of days' time, as I was occupied with different chronicles. The plots of specific 'kind' spirits prompted a misconception and Dada brought in another vocalist to re-record the melody," closes Lata".
Raju Bharatan includes that specific "kind soul", Jaidev uncovered that the tune was 'Pag thumak chalat balkhaaye haay saiyan kaise dharun dheer' set to go on Vyjantimala in "Sitaron Sei Aagey" made in 1958. It didn't come up to SD's guidelines. Amusingly this tune was utilized again by SD in the film 'Guide' as 'Saiyyan be-imaan'. SD anyway didn't consent to this perception of the questioner.
On the above discussion, I should report the two adaptations, one that of Jaidev and afterward that of Lata (as effectively composed above) on the reasons of irritation. Jaidev was on the telephone at Dada's home when the solicitation was made, through him by Dada, for a re-recording of 'Saiyan kaise dharun dheer' by Lata. Jaidev disclosed to me he answered to Dada, even while clutching the beneficiary, what precisely Lata had said. Lata, Jaidev stated, had let him know there was no chance she could then fit in Dada Burman for a re-recording since she was very nearly continuing abroad. "All things considered," Jaidev said Dada let him know, "reveal to Lata she should give us first inclination when she comes back from abroad." Jaidev said he properly imparted those Dada news to Lata who, as per him, would make no such main goal re-recording responsibility via telephone. "All things considered," Jaidev said Dada at last let him know in an attack of provoke, "reveal to Lata that we don't need her at all in the event that she can't give us first inclination on her arrival!"
Lata's form is "I was vexed," "Nonetheless, at whatever point we ran into one another (after that occurrence), the discussion followed a similar course. "Namaskar, Dada", I would state. To which Dada would state: "How are you Lota?" To which I would state: "I am good Dada," and Dada would proceed onward. At that point in Guide or Bandini, I can't remember, I got a message that Dada needed me. I was unmistakably hesitant. At that point Dada called himself: Lota, "I have some work, do come." Dada chided her and they wound up in recording two awesome tunes for 'Bandini', 'Jogi Jab Sei Tu Aaya negligible Duware' and 'Abdominal muscle Kei Bhaij Bhaiya Ko Babul'. I may have missed numerous other Lata-SD tunes however above accommodation does the trick in the manner SD utilized Lata's voice agreeably well in the entirety of its adaptability. All said and done, my record-breaking most loved remains Lata's 'Abdominal muscle Tau Hei Tum Sei Har Khushi Apni' from 'Abhimaan' however 'Teri Bindiya Re' a two part harmony by Lata and Rafi too is acceptable.
Jaidev and Lata: I would recollect Jaidev and Lata for at any rate three melodies; two bhajans 'Parabhu Tero Naam', 'Allah Tero Naam. Eishwar Tero Naam' from Dev Anand-Sadhna-Nanda 1961 film 'Murmur Dono' and 'Tumhain Daikhti Hun Tau Lagta Hei Aise' imagined on Vidya Sinha and Sanjeev Kumar for the film "Tumhare Liye" with verses by Naqsh Lyallpuri.
It was in 1963 that Lata's tune 'Raat Bhi Hei Kutch Bheegi, Chand Bhi Hei Kutch Madham' continued frequenting me for quite a while when Sunil Dutt-Waheeda Rehman starrer film 'Mujhe Jeeney Do' was discharged. Aside from the move imagined by Waheeda Rehman on this tune, the music was charming. It had another delightful tune 'Terey Bachpan Ko Jawani Ki Dua Daiti Hun' in light of the account of a criminal who has a youngster from Waheeda Rehman and expecting that their kid may follow his dad's strides, she is incredulous while appealing to God for his long life.
His huge break as an undeniable music chief accompanied Chetan Anand's film, Joru Ka Bhai, with Lata's wonderful tune 'Subha Ka Intizar Kaun Kare'.
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