September 30, 2018
This album contain sixteen (16) jhankar songs.
(Eagle Enterprises)
01. Aaj Tumhaare Gore
02. Bahaaro Phool Barsaao
03. Chale The Saath Mil Ke
04. Chaudhvin Ka Chaand
05. Chhalka-e-Jaam Aaiye
06. Chhu Lene Do Naazuk
07. Likhe Jo Khat Tujhe
08. Mujhe Ishq He Tujh Hi
09. Pukaarta Chala Hoon
10. Tere Mere Sapne Ab
11. Tu Kahaan Yeh Bata
12. Tum Bin Jaaoon Kahaan
13. Tum Mujhe Yun Bhula
14. Vaadiyaan Mera Daaman
15. Yeh Mera Prem Patr
16. Yeh Vaadiyaan Yeh
Music is my lifetime buddy. It is consistently in me. At the point when I was 5 years of age, I was brought by my family to watch a Hindi film "Bhabhi". I was, in the same way as other, a fun loving kid, incognizant of what was happening in the film. Out of nowhere, I hear a voice in the film "Chal Udja Re Panchi". I was amazed and was actually devoured by this voice. I was then informed that it was the voice of Mohammad Rafi Saab!
In my sub-cognizant psyche, I detected something divine in this voice and from that point forward I turned into an actual existence time fanatic of Rafi Saab's tunes, his expressive versions and voice. I began rehearsing his tunes and today, I perform across India and the world on the loose! It is a steady actuality and truth that Rafi Saab had "Aathma" in his voice, as was guaranteed by the well known and achieved music author's couple Shankar Jaikishan.
Originating from humble beginnings and a customary family, I proceeded to turn into a Chartered Accountant just as a Cost Accountant and served numerous worldwide organizations, both in India and abroad. During 1990's, I introspected and afterward chose to seek after my singing energy into calling by performing in front of an audience, spend significant time in retro evergreen, immortal Bollywood melodies from the brilliant period!
Chandan at the Kamarajar Arangam appear at Chennai on nineteenth May 2012
To me, music, in any language or structure is divine. It is sheer wellbeing and welcome preoccupation from the everyday practice and speed of life. For me, it is likewise contemplation. I sing for more than 4 to 5 hours for projects and I never get worn out or depleted. In actuality, I get empowered after each tune I render! The intensity of music can never be clarified however must be experienced!
Why I consider Mohd Rafi Saab, the best of the best playback vocalists everything being equal?
Music has no language, position, statement of faith or religion. Numerous artists, music authors and lyricists have gone back and forth. A considerable lot of us have our own preferences and inclinations particularly with artists and which is all well and good. Like all of you, I additionally have my taste and inclination to an artist and he is none other than Rafi Saab. "Saab" kyonke unko izzatse naam leneka dil karta hai!
The vocalists of Bollywood, Kollywood and so far as that is concerned, even artists over the world have built up their separate places in the hearts of numerous music darlings. They had their own special incomparable style which gave them their name, acclaim and acknowledgment. Any one copying a vocalist never at any point could ascend the stepping stool of acclaim and achievement. History, if is any sign, helps us to remember this reality.
Each artist was acceptable in his/her own specific manner and we are enthusiasts of each such vocalist, for their uniqueness in style and version and we have our own singing icon that we laud and accept that he/she is the best. In this way, it might be relevant to make reference to here that it would be a useless exercise or a discussion, if, for instance, we were to contrast the enormity of one vocalist with the other. I regularly run over individuals discussing "Who is a more noteworthy/better vocalist – Rafi Saab or Kishore da?" Such discussions, I am certain every one of you would concur, will never under any circumstance see any legitimate end or end, just in light of the fact that we are just endeavoring to look at the "unique", Putting it in an unexpected way, we are not contrasting "apple to apple" So, we are currently meeting to a consistent question..What made Rafi Saab the best of the best singing legend? Let us please advise ourselves that, as said prior, Rafi Saab is as much an incredible artist to me as Kishoreda for another person, for instance.
Be that as it may, at that point, I can just represent myself – about my artist icon Rafi Saab and his significance and important commitments to the Bollywood music area of the business.
What I will clarify now is the thing that I firmly have faith in and involves assessment, which may vary from any or a significant number of you! There is something more to singing when it came to Rafi Saab..Was it simply great voice, song, feel, articulation, tweak, range what not? Unquestionably not… ..It was that unexplainable vocal line that transmitted imperceptible vibrations across humankind and the world on the loose. He had a particular and clear bit of leeway over different vocalists – language Urdu and his lingual authority was immaculate and idyllic! Rafi Saab sang from his heart and when he rendered a tune, it was as obvious as nature! Is that all? Most likely on account of the marvelous mix of all the singing characteristics that he had with that lowliness and righteousness that he passed on and communicated quietly thus normally during his lifetime..! A man of barely any words, he was an extraordinary individual and a vocalist, which mixed so very well that made him the best singing legend all things considered… Was it his incredibly profound and authentic characteristics as a sacrificial person that gave his voice significantly more feel and truth in his versions to stand any trial of time? I would will in general accept so… ! At the point when we tune in to his versions, we feel that unmistakable and indivisible mix of voice, earnestness with so much dedication and center that his tunes became ageless songs, without decision! His modesty gave his voice that additional mileage..
In the expressions of music author team Shankar Jaikishen "Rafi's voice had aatma" (when they were asked to clarify for what good reason they moved from Manna Dey to Rafi Saab to sing for his organizations). Shri Yesudas reveres him as his "Manaseeka Guru. SPB says he is "a definitive playback artist"
The Late maker executive Man Mohan Desai, said once that "Agar Hum Khuda Ki Awaaz Ko Sun Sakte Hai, to wo shayad Rafi Saab ki Awaaz Hota". Pyarelalji (of Laxmikanth Pyarelal acclaim, the prominent pair music authors) says that Rafi Saab was a "Farishta". He lives in the mazab of each religion, when he sings (for e.g., Sukh Ke Sab Saathi", "Man Tarpat").
I have been, in my own particular manner, doing broad research on Rafi Saab's singing capacities on every one of his melodies. Numerous music executives and on-screen characters were raised to their next degrees of distinction and acknowledgment, by the sheer special method for rendering a specific melody or a ghazal, by Rafi Saab, with such an extensive amount esteem expansion, most likely route past the desire for the music arrangers. I frequently continue thinking about whether anybody ever could sing like him. I intently tune in to every one of his versions a lot of times, ordinarily, to attempt to comprehend his extraordinary flawlessness concerning actually all the parameters of playback singing which any vocalist, be it up and coming or built up artist, would dream for! His authority over voice dependability, extend, nose-jumping capacity to sing from the most noteworthy of the most elevated octaves to the least note at the flicker of an eye, articulation, feel, tweak, sweetness, force, feeling and what have you, can't be clarified however just felt..! I might want to term him as an "enchantment singing machine" when it went to his interpretations.
It is emphatically accepted that Rafi Saab passed on early in light of the fact that he sang, from his throat as well as his whole body, brain and soul were centered around his singing, every which way. He tormented through each interpretation, getting a charge out of the agony, without troubling much about his wellbeing, as his adoration for music and singing was more than what he thought about, something else.. I can go on..! I take in and inhale out Rafi Saab's versions and I live with his melodies.. That is my day by day schedule. At the point when somebody discloses to me that I sing like Rafi, I get energized. Again when individuals exhortation me not to duplicate Rafi however to build up my own style, I state that I am glad to duplicate him as well as could be expected as I venerate him, amazing. I likewise reveal to them that I might want to resemble him, all around!!
I helped to establish the Rafi Saab Foundation, Chennai, a casual gathering of "Rafi Bhakts", with the essential target of advancing the a significant number of his tunes that have, up until now, not been presented/introduced in front of an audience. Rafi Saab professed to have recorded approximately 28,000 melodies in 11 Indian dialects among 1944 and mid 1980. We all, except for a couple maybe, would have barely heard a large portion of them. I salute this extraordinary singing legend called "Mohammad Rafi Saab"!
In my sub-cognizant psyche, I detected something divine in this voice and from that point forward I turned into an actual existence time fanatic of Rafi Saab's tunes, his expressive versions and voice. I began rehearsing his tunes and today, I perform across India and the world on the loose! It is a steady actuality and truth that Rafi Saab had "Aathma" in his voice, as was guaranteed by the well known and achieved music author's couple Shankar Jaikishan.
Originating from humble beginnings and a customary family, I proceeded to turn into a Chartered Accountant just as a Cost Accountant and served numerous worldwide organizations, both in India and abroad. During 1990's, I introspected and afterward chose to seek after my singing energy into calling by performing in front of an audience, spend significant time in retro evergreen, immortal Bollywood melodies from the brilliant period!
Chandan at the Kamarajar Arangam appear at Chennai on nineteenth May 2012
To me, music, in any language or structure is divine. It is sheer wellbeing and welcome preoccupation from the everyday practice and speed of life. For me, it is likewise contemplation. I sing for more than 4 to 5 hours for projects and I never get worn out or depleted. In actuality, I get empowered after each tune I render! The intensity of music can never be clarified however must be experienced!
Why I consider Mohd Rafi Saab, the best of the best playback vocalists everything being equal?
Music has no language, position, statement of faith or religion. Numerous artists, music authors and lyricists have gone back and forth. A considerable lot of us have our own preferences and inclinations particularly with artists and which is all well and good. Like all of you, I additionally have my taste and inclination to an artist and he is none other than Rafi Saab. "Saab" kyonke unko izzatse naam leneka dil karta hai!
The vocalists of Bollywood, Kollywood and so far as that is concerned, even artists over the world have built up their separate places in the hearts of numerous music darlings. They had their own special incomparable style which gave them their name, acclaim and acknowledgment. Any one copying a vocalist never at any point could ascend the stepping stool of acclaim and achievement. History, if is any sign, helps us to remember this reality.
Each artist was acceptable in his/her own specific manner and we are enthusiasts of each such vocalist, for their uniqueness in style and version and we have our own singing icon that we laud and accept that he/she is the best. In this way, it might be relevant to make reference to here that it would be a useless exercise or a discussion, if, for instance, we were to contrast the enormity of one vocalist with the other. I regularly run over individuals discussing "Who is a more noteworthy/better vocalist – Rafi Saab or Kishore da?" Such discussions, I am certain every one of you would concur, will never under any circumstance see any legitimate end or end, just in light of the fact that we are just endeavoring to look at the "unique", Putting it in an unexpected way, we are not contrasting "apple to apple" So, we are currently meeting to a consistent question..What made Rafi Saab the best of the best singing legend? Let us please advise ourselves that, as said prior, Rafi Saab is as much an incredible artist to me as Kishoreda for another person, for instance.
Be that as it may, at that point, I can just represent myself – about my artist icon Rafi Saab and his significance and important commitments to the Bollywood music area of the business.
What I will clarify now is the thing that I firmly have faith in and involves assessment, which may vary from any or a significant number of you! There is something more to singing when it came to Rafi Saab..Was it simply great voice, song, feel, articulation, tweak, range what not? Unquestionably not… ..It was that unexplainable vocal line that transmitted imperceptible vibrations across humankind and the world on the loose. He had a particular and clear bit of leeway over different vocalists – language Urdu and his lingual authority was immaculate and idyllic! Rafi Saab sang from his heart and when he rendered a tune, it was as obvious as nature! Is that all? Most likely on account of the marvelous mix of all the singing characteristics that he had with that lowliness and righteousness that he passed on and communicated quietly thus normally during his lifetime..! A man of barely any words, he was an extraordinary individual and a vocalist, which mixed so very well that made him the best singing legend all things considered… Was it his incredibly profound and authentic characteristics as a sacrificial person that gave his voice significantly more feel and truth in his versions to stand any trial of time? I would will in general accept so… ! At the point when we tune in to his versions, we feel that unmistakable and indivisible mix of voice, earnestness with so much dedication and center that his tunes became ageless songs, without decision! His modesty gave his voice that additional mileage..
In the expressions of music author team Shankar Jaikishen "Rafi's voice had aatma" (when they were asked to clarify for what good reason they moved from Manna Dey to Rafi Saab to sing for his organizations). Shri Yesudas reveres him as his "Manaseeka Guru. SPB says he is "a definitive playback artist"
The Late maker executive Man Mohan Desai, said once that "Agar Hum Khuda Ki Awaaz Ko Sun Sakte Hai, to wo shayad Rafi Saab ki Awaaz Hota". Pyarelalji (of Laxmikanth Pyarelal acclaim, the prominent pair music authors) says that Rafi Saab was a "Farishta". He lives in the mazab of each religion, when he sings (for e.g., Sukh Ke Sab Saathi", "Man Tarpat").
I have been, in my own particular manner, doing broad research on Rafi Saab's singing capacities on every one of his melodies. Numerous music executives and on-screen characters were raised to their next degrees of distinction and acknowledgment, by the sheer special method for rendering a specific melody or a ghazal, by Rafi Saab, with such an extensive amount esteem expansion, most likely route past the desire for the music arrangers. I frequently continue thinking about whether anybody ever could sing like him. I intently tune in to every one of his versions a lot of times, ordinarily, to attempt to comprehend his extraordinary flawlessness concerning actually all the parameters of playback singing which any vocalist, be it up and coming or built up artist, would dream for! His authority over voice dependability, extend, nose-jumping capacity to sing from the most noteworthy of the most elevated octaves to the least note at the flicker of an eye, articulation, feel, tweak, sweetness, force, feeling and what have you, can't be clarified however just felt..! I might want to term him as an "enchantment singing machine" when it went to his interpretations.
It is emphatically accepted that Rafi Saab passed on early in light of the fact that he sang, from his throat as well as his whole body, brain and soul were centered around his singing, every which way. He tormented through each interpretation, getting a charge out of the agony, without troubling much about his wellbeing, as his adoration for music and singing was more than what he thought about, something else.. I can go on..! I take in and inhale out Rafi Saab's versions and I live with his melodies.. That is my day by day schedule. At the point when somebody discloses to me that I sing like Rafi, I get energized. Again when individuals exhortation me not to duplicate Rafi however to build up my own style, I state that I am glad to duplicate him as well as could be expected as I venerate him, amazing. I likewise reveal to them that I might want to resemble him, all around!!
I helped to establish the Rafi Saab Foundation, Chennai, a casual gathering of "Rafi Bhakts", with the essential target of advancing the a significant number of his tunes that have, up until now, not been presented/introduced in front of an audience. Rafi Saab professed to have recorded approximately 28,000 melodies in 11 Indian dialects among 1944 and mid 1980. We all, except for a couple maybe, would have barely heard a large portion of them. I salute this extraordinary singing legend called "Mohammad Rafi Saab"!
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