October 01, 2018
This album contain thirteen (13) jhankar songs.
(Sonic Enterprises)
01. Chale The Saath Mil
02. Chhalka-e-Jaam Aaiye
03. Ek Pyaar Ka Naghma
04. Gaata Rahe Mera Dil
05. Kabhi Kabhi Mere
06. Mere Sapnon Ki Raani
07. Meri Tammanaao Ki
08. Mujhe Ishq He Tujhi
09. O Mere Dil Ke Chain
10. Teri Pyaari Pyaari Surat
11. Vaada Karle Saajna
12. Yeh Dunya Yeh Mehfil
13. Yeh Parda Hata Do
Music sweethearts everywhere throughout the world recollect the God of music Mohammad Rafi on his introduction to the world commemoration on 24th December, 2017. The audience members of music everywhere throughout the world recalled the unequaled extraordinary vocalist Mohammad Rafi on 31st July, 2013. The honorable soul had left his admirers 33 years back. However he is alive in various everlasting hit melodies which are heard and treasured for ages.
The Poll in History TV identifying with 100 years of Indian film was mistaken. Mohammad Rafi got the most extreme measure of votes yet he was arbitrated as best vocalist mutually with Kishore Kumar. Right off the bat those admirers of Mohammad Rafi who had tuned in to his extraordinary melodies during the 1940s and 1950s, might not have casted a ballot by any means, on the grounds that a significant number of them were not PC agreeable. Else he would have gotten 10 crores casts a ballot more from over the world. The greater factor is the melodic mammoths as authors of 1940s, 1950s and 1960s had lapsed. So the perspective on Naushad Ali, or Shankar Jaikishan, or Madan Mohan Kohli or Roshanlal Nagrath or OP Nayyar had not been taken. Neither the perspective on lyricists Sahir Ludhianvi, Shailendra and others were taken. Every one of them would have collectively said Mohammad Rafi was the best vocalist ever to have graced Indian soil.
A Mohammad Rafi Musical Academy ought to be opened in Mumbai. The point and target of the Academy ought to be to prepare artists in the specialty of playback singing. The way Pune Film and Development Institute had made acting gifts like Om Puri, Shabana Azmi and others, similarly Mohammad Rafi Academy and select artists of notoriety from various pieces of the world to prepare youthful artists in the craft of playback singing.
Mohammad Rafi had been the best playback vocalist ever to have been graced the Indian soil. No other vocalist can even envision about imagining the feelings of Dilip Kumar, Shammi Kapoor, Bharat Bhushan, Pradip Kumar, Johnny Walker, all together in a similar voice. Subsequent to realizing the acting remainders of the unbelievable entertainers Mohammad Rafi went above and beyond to satisfy the necessities of the best writers of the nation like Naushad Ali, Shankar Jaikishan, Ghulam Mohammad, Roshan Lal Nagrath, Madanmohan Kohli, OP Nayyar, to give some examples, and the best lyricists like Shakeel Badayani, Hasrat Jaipuri, Shailendra, Sahir Ludhiyanvi, Majrooh Sultanpuri, and others. Rafi's 26000 tunes are priceless melodic fortune by tuning in to which any vocalist can improve his style of singing.
It is a gigantic inquiry with regards to in what capacity can the singing parameters of Mohammad Rafi can be ingrained in the new artists, since playback singing can't be linguistically educated. Be that as it may, at any rate the new artists can be prepared in traditional singing, ghazals, qawallies and might be western style of singing moreover. The greatest thing is they can be made to tune in to Rafi's singing various kinds of melodies. Not many of the Indian old style artists like Suresh Wadkar, Yesu Das, Hariharan, can be not many names who can routinely offer preparing to new vocalists.
One major necessity for the current age is to really tune in to the wide scope of tunes Mohammad Rafi had sung including the non-filmi collections. With the media moving concentration towards the new age music of advanced goliaths like Rahat Fateh Ali Khan, Mohit Chauhan, Shreya Ghoshal, there is each conceivable possibility of Rafi's works not picking up media consideration as greater part of the works were during 40s, 50s, 60s and 70s. The youthful ages scarcely know the excellent pieces of Naushad Ali, or Shankar Jaikishan; nor the urdu-based verse of Raja Mehendi Ali Khan or Sahir Ludhiyanvi. So the incredible works of Mohammad Rafi's age require solid exposure and rebuilding. By better realizing Mohammad Rafi's works, Indian music can be improved, in light of the fact that no other playback vocalist in India had given satisfactory articulation to people melodies, unadulterated old style tunes, bhajans, awesome tunes, delicate music, ghazals and different types of Indian music the way Mohammad Rafi had done over a range of 35 years.
The Poll in History TV identifying with 100 years of Indian film was mistaken. Mohammad Rafi got the most extreme measure of votes yet he was arbitrated as best vocalist mutually with Kishore Kumar. Right off the bat those admirers of Mohammad Rafi who had tuned in to his extraordinary melodies during the 1940s and 1950s, might not have casted a ballot by any means, on the grounds that a significant number of them were not PC agreeable. Else he would have gotten 10 crores casts a ballot more from over the world. The greater factor is the melodic mammoths as authors of 1940s, 1950s and 1960s had lapsed. So the perspective on Naushad Ali, or Shankar Jaikishan, or Madan Mohan Kohli or Roshanlal Nagrath or OP Nayyar had not been taken. Neither the perspective on lyricists Sahir Ludhianvi, Shailendra and others were taken. Every one of them would have collectively said Mohammad Rafi was the best vocalist ever to have graced Indian soil.
A Mohammad Rafi Musical Academy ought to be opened in Mumbai. The point and target of the Academy ought to be to prepare artists in the specialty of playback singing. The way Pune Film and Development Institute had made acting gifts like Om Puri, Shabana Azmi and others, similarly Mohammad Rafi Academy and select artists of notoriety from various pieces of the world to prepare youthful artists in the craft of playback singing.
Mohammad Rafi had been the best playback vocalist ever to have been graced the Indian soil. No other vocalist can even envision about imagining the feelings of Dilip Kumar, Shammi Kapoor, Bharat Bhushan, Pradip Kumar, Johnny Walker, all together in a similar voice. Subsequent to realizing the acting remainders of the unbelievable entertainers Mohammad Rafi went above and beyond to satisfy the necessities of the best writers of the nation like Naushad Ali, Shankar Jaikishan, Ghulam Mohammad, Roshan Lal Nagrath, Madanmohan Kohli, OP Nayyar, to give some examples, and the best lyricists like Shakeel Badayani, Hasrat Jaipuri, Shailendra, Sahir Ludhiyanvi, Majrooh Sultanpuri, and others. Rafi's 26000 tunes are priceless melodic fortune by tuning in to which any vocalist can improve his style of singing.
It is a gigantic inquiry with regards to in what capacity can the singing parameters of Mohammad Rafi can be ingrained in the new artists, since playback singing can't be linguistically educated. Be that as it may, at any rate the new artists can be prepared in traditional singing, ghazals, qawallies and might be western style of singing moreover. The greatest thing is they can be made to tune in to Rafi's singing various kinds of melodies. Not many of the Indian old style artists like Suresh Wadkar, Yesu Das, Hariharan, can be not many names who can routinely offer preparing to new vocalists.
One major necessity for the current age is to really tune in to the wide scope of tunes Mohammad Rafi had sung including the non-filmi collections. With the media moving concentration towards the new age music of advanced goliaths like Rahat Fateh Ali Khan, Mohit Chauhan, Shreya Ghoshal, there is each conceivable possibility of Rafi's works not picking up media consideration as greater part of the works were during 40s, 50s, 60s and 70s. The youthful ages scarcely know the excellent pieces of Naushad Ali, or Shankar Jaikishan; nor the urdu-based verse of Raja Mehendi Ali Khan or Sahir Ludhiyanvi. So the incredible works of Mohammad Rafi's age require solid exposure and rebuilding. By better realizing Mohammad Rafi's works, Indian music can be improved, in light of the fact that no other playback vocalist in India had given satisfactory articulation to people melodies, unadulterated old style tunes, bhajans, awesome tunes, delicate music, ghazals and different types of Indian music the way Mohammad Rafi had done over a range of 35 years.
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