October 09, 2018
This album contain fourteen (14) jhankar songs.
(Eagle Enterprises)
01. Dil Mera Tumhaari
02. Ham Ko To Jaan Se
03. Jo Chaahe Saza De
04. Khuda Bhi Aasmaan
05. Main Kahin Kavi Na
06. Matlab Nikal Gaya
07. Mere Mehboob Tere
08. Pukaarta Chala Hoon
09. Tere Naam Ka Divaana
10. Teri Pyaari Pyaari
11. Yaar Mere Meri
12. Yeh Jo Chilman He
13. Yeh Rehmi Zulfain
14. Yun Rootho Na
This happened a couple of years back yet I out of nowhere recollected the whole conversation.
The family was driving long separation and we would out of nowhere find on the parkway some radio broadcast that was playing melodies haphazardly. At the point when the family voyages together, I don't really get the opportunity to play only my own top picks as it were. Frequently, my child looks for his own assortments by means of CDs or MP3 alternatives.
Without much forethought, my child, sitting behind us, posed an inquiry.
"Father, would Mohd Rafi have had the option to sing this melody?"
I just paused for a moment to tune in with some persistence to the uproarious and to some degree jolting piece that was being handed out as a tune.
I told my child "Not exclusively would Rafi Sahab have sung this melody easily, he would have shown this youthful artist how to execute it even smoother, with a grin all over and a twinkle in his eye!"
My child didn't contend with me. He may not be a Rafi fan in the genuine sense or the manner in which I venerate him, yet he admits that melodies like Tere Mere Sapne from guide or Kaarvaan Guzar Gaya from Nai Umar Ki Nai Fasal were hard to sing. He likewise maybe has a delicate corner for the melody Abhi Na Jaao from Hum Dono.
He just posed me one inquiry "Would he have sung practically the entirety of the present tunes effortlessly?"
My answer was, "I don't know whether he would have sung every one of these melodies easily. He may have chuckled at some of them. Be that as it may, he would without a doubt have made the audience's life and ears simple with his ideal rendering and all out association. Characteristics of an extraordinary artiste, worry for the audience."
I surmise I subsequently brought Rafi Sahab on a similar plane as us all deals and showcasing experts, whose fundamental objective in life ought to be to make their clients' lives simpler, not their own.
We kept driving down, and afterward I asked my child "You know which melody I would have constantly loved Rafi Sahab to have sung before he died?"
My child was interested to know as was my significant other.
"It would need to be Ae Ajnabi Tu Bhi Kabhi Aawaaz De Kahin Se from the film Dil Se".
"Truly, genuine" came the answer. "Udit Narayan appears to have sung the melody as though Rafi Sahab was on the radio in that specific scene", my child rushed to watch.
Presently that is the point. There have been such huge numbers of melodies that we have acknowledged and lauded the writer or the lyricist or even the artist, that Rafi Sahab would have done colossal equity to, yet not caused the contemporary vocalist to feel disparaged, the best nature of Rafi Sahab. He treated everybody with affection and regard.
The remainder of the excursion hushed up, not on the grounds that the music was not playing or we were not talking. I was thinking about the melodies that Rafi Sahab has sung which even today solid so new, as though recorded toward the beginning of today! What's more, mind you, the nature of gear in the days he sang, the absence of incredible sound specialists or experts didn't keep him from giving us umpteen evergreen hits.
As though on signal, this tune spilled out of the speakers in the vehicle Khuhboo Hoon Main Phool Nahin Hoon, and that was it! I understood one basic truth. Rafi Sahab's tunes will never leave style, or design.
Simply take a gander at the quantity of TV advertisements today, and attempt and review the quantity of them that have his tunes playing. Regardless of whether it is Chakke pe Chakke , Chakke pe gaadi , or Sar Joh Tera Chakraaye, or Main Gaaon Tum So Jaao, or even Baar Dekho Hazaar Baar Dekho, or Yeh Chaand sa Roshan Chehra.
Television serials and films convey titles dependent on his melodies. Head off to college social fests and you will discover the adolescents there on the stage singing Hum Aapki Aankhon Mein Is Dil Ko Basa Dein Toh, or Dil Ka Bhanwar Karey Pukaar. Furthermore, obviously Karan Johar made an ideal violation of social norms when he embedded the notorious discourse of Anushka Sharma, disrespectfully alluding to Rafi Sahab in the effectively forgettable film Ae Dil Hai Mushkil. He required the ground-breaking opening lines of Rafi Sahab's magnificent tune to give his film a title.
Each music-based TV unscripted TV drama has the members, the appointed authorities and the stays just not having the option to finish a scene without alluding to the reference book of playback singing in Hindi Films. Rafi Sahab is the primary word and the last one as well. Indeed, even the most youthful of children belts out a Kya Hua Tera Waada or Ehsaan Tera Hoga Mujhpar. He additionally challenges his opponents on the program by singing Hai Agar Dushman, Hum Kisise Kam Nahin!
What's more, somewhere else, at whatever point any new kid on the block artist attempts to make his imprint, spoilers inquire as to whether he is attempting to be (absent a lot of accomplishment obviously) a Mohd Rafi! What better tribute can be paid to him, hence?
Somebody once let me know, "Rafi couldn't deal with sentimental melodies, uniquely the ones verging on the sexual."
I laughed at this to some degree hurried reference or correlation with maybe a Roop Tera Mastana.
My answer was, "Who sang Aa Jaa Re Aa Zara in Love in Tokyo? Who sang Yeh Parbaton ke Daayre Yeh Shaam ka Dhuaan in Vaasna? Or on the other hand Akele Kahan Ja Rahe Ho?"
To add to my companion's defeat I included, "Tumse Kahoon Ik Baat Paron Si Halki" and that was it. The conversation finished there.
Conversations must end here. There is one Rafi. He wasn't, he will never be. He is.
What's more, similar to that notorious scent of the blossom, he waits, until the end of time. Surrounding us. He starts our day. He closes our day.
How might you rest, as I have for such huge numbers of years, without tuning in to "Fundamental Gaaoon Tum So Jaao Sukh sapnon me kho jaao", Rafi Sahab sings to us, just as slip into a quiet that no one but he could make, enhancing our lives and adding that comfort and harmony to our lives.
The family was driving long separation and we would out of nowhere find on the parkway some radio broadcast that was playing melodies haphazardly. At the point when the family voyages together, I don't really get the opportunity to play only my own top picks as it were. Frequently, my child looks for his own assortments by means of CDs or MP3 alternatives.
Without much forethought, my child, sitting behind us, posed an inquiry.
"Father, would Mohd Rafi have had the option to sing this melody?"
I just paused for a moment to tune in with some persistence to the uproarious and to some degree jolting piece that was being handed out as a tune.
I told my child "Not exclusively would Rafi Sahab have sung this melody easily, he would have shown this youthful artist how to execute it even smoother, with a grin all over and a twinkle in his eye!"
My child didn't contend with me. He may not be a Rafi fan in the genuine sense or the manner in which I venerate him, yet he admits that melodies like Tere Mere Sapne from guide or Kaarvaan Guzar Gaya from Nai Umar Ki Nai Fasal were hard to sing. He likewise maybe has a delicate corner for the melody Abhi Na Jaao from Hum Dono.
He just posed me one inquiry "Would he have sung practically the entirety of the present tunes effortlessly?"
My answer was, "I don't know whether he would have sung every one of these melodies easily. He may have chuckled at some of them. Be that as it may, he would without a doubt have made the audience's life and ears simple with his ideal rendering and all out association. Characteristics of an extraordinary artiste, worry for the audience."
I surmise I subsequently brought Rafi Sahab on a similar plane as us all deals and showcasing experts, whose fundamental objective in life ought to be to make their clients' lives simpler, not their own.
We kept driving down, and afterward I asked my child "You know which melody I would have constantly loved Rafi Sahab to have sung before he died?"
My child was interested to know as was my significant other.
"It would need to be Ae Ajnabi Tu Bhi Kabhi Aawaaz De Kahin Se from the film Dil Se".
"Truly, genuine" came the answer. "Udit Narayan appears to have sung the melody as though Rafi Sahab was on the radio in that specific scene", my child rushed to watch.
Presently that is the point. There have been such huge numbers of melodies that we have acknowledged and lauded the writer or the lyricist or even the artist, that Rafi Sahab would have done colossal equity to, yet not caused the contemporary vocalist to feel disparaged, the best nature of Rafi Sahab. He treated everybody with affection and regard.
The remainder of the excursion hushed up, not on the grounds that the music was not playing or we were not talking. I was thinking about the melodies that Rafi Sahab has sung which even today solid so new, as though recorded toward the beginning of today! What's more, mind you, the nature of gear in the days he sang, the absence of incredible sound specialists or experts didn't keep him from giving us umpteen evergreen hits.
As though on signal, this tune spilled out of the speakers in the vehicle Khuhboo Hoon Main Phool Nahin Hoon, and that was it! I understood one basic truth. Rafi Sahab's tunes will never leave style, or design.
Simply take a gander at the quantity of TV advertisements today, and attempt and review the quantity of them that have his tunes playing. Regardless of whether it is Chakke pe Chakke , Chakke pe gaadi , or Sar Joh Tera Chakraaye, or Main Gaaon Tum So Jaao, or even Baar Dekho Hazaar Baar Dekho, or Yeh Chaand sa Roshan Chehra.
Television serials and films convey titles dependent on his melodies. Head off to college social fests and you will discover the adolescents there on the stage singing Hum Aapki Aankhon Mein Is Dil Ko Basa Dein Toh, or Dil Ka Bhanwar Karey Pukaar. Furthermore, obviously Karan Johar made an ideal violation of social norms when he embedded the notorious discourse of Anushka Sharma, disrespectfully alluding to Rafi Sahab in the effectively forgettable film Ae Dil Hai Mushkil. He required the ground-breaking opening lines of Rafi Sahab's magnificent tune to give his film a title.
Each music-based TV unscripted TV drama has the members, the appointed authorities and the stays just not having the option to finish a scene without alluding to the reference book of playback singing in Hindi Films. Rafi Sahab is the primary word and the last one as well. Indeed, even the most youthful of children belts out a Kya Hua Tera Waada or Ehsaan Tera Hoga Mujhpar. He additionally challenges his opponents on the program by singing Hai Agar Dushman, Hum Kisise Kam Nahin!
What's more, somewhere else, at whatever point any new kid on the block artist attempts to make his imprint, spoilers inquire as to whether he is attempting to be (absent a lot of accomplishment obviously) a Mohd Rafi! What better tribute can be paid to him, hence?
Somebody once let me know, "Rafi couldn't deal with sentimental melodies, uniquely the ones verging on the sexual."
I laughed at this to some degree hurried reference or correlation with maybe a Roop Tera Mastana.
My answer was, "Who sang Aa Jaa Re Aa Zara in Love in Tokyo? Who sang Yeh Parbaton ke Daayre Yeh Shaam ka Dhuaan in Vaasna? Or on the other hand Akele Kahan Ja Rahe Ho?"
To add to my companion's defeat I included, "Tumse Kahoon Ik Baat Paron Si Halki" and that was it. The conversation finished there.
Conversations must end here. There is one Rafi. He wasn't, he will never be. He is.
What's more, similar to that notorious scent of the blossom, he waits, until the end of time. Surrounding us. He starts our day. He closes our day.
How might you rest, as I have for such huge numbers of years, without tuning in to "Fundamental Gaaoon Tum So Jaao Sukh sapnon me kho jaao", Rafi Sahab sings to us, just as slip into a quiet that no one but he could make, enhancing our lives and adding that comfort and harmony to our lives.
Fantastic Album...
ReplyDeleteVery nice job.
ReplyDeleteThanx...
Deletegood aur upload karo bhai
ReplyDeletegood aur upload karo bhai
ReplyDelete