October 10, 2018
This album contain fifteen (15) jhankar songs.
(Heera Enterprises)
01. Aaj Kal Main Dhal
02. Aane Se Us Ke
03. Dil He Keh Dharakta
04. Dil Ki Aavaaz Bhi
05. Dil Ki Tamanna Ki
06. Ek But Banaonga Tera
07. Ek Haseen Shaam Ko
08. Gar Tum Bhula Na Doge
09. Ham Ko Tumhaare
10. Kon He Jo Sapno
11. Masti Main Chhair Ke
12. Poochhe Jo Koi
13. Saare Zamaane Peh
14. Sapne Jhare Phool Se
15. Tum Se Izhaar-e-Haal
At the point when we see around ourselves, the present world is exceptionally upset. There is unquestionably more savagery, undeniably more bigotry and definitely more commotion than any other time in recent memory.
Individuals lack the capacity to deal with one another, are coldhearted toward the requirements and feelings of others and rush to lose their temper and their psychological self-control. Hostility is regularly misconstrued as an indication of valor or mental fortitude and being fretful is viewed as an indication of hustle and result direction.
In such a foundation, the life, the occasions and the bunch tunes of Mohd Rafi Sahab hang out in sharp differentiation. From the manner in which he carried on with his life, straightforward, stark and content with himself, to the melodies he rendered that discussed harmony, fellowship, warmth, fondness, love and composure just as balance, Rafi Sahab symbolized precisely what we appear to be missing in the present occasions.
His absolute devotion to his art and his livelihood, his total give up to the power above and his commitment to practicing each tune to flawlessness exemplified the unhurried idea of a man who felt that he should convey the best if at all it should have been conveyed. This is correctly what the world misses today. We are experiencing a daily reality such that abilities to focus are lessening quickly, individuals trifle with their work completely even while burning through their time and vitality on interruptions that are rich and proliferating, and there is almost no consideration being paid to glorious conveyance of any craftsmanship, create or completed work.
His disposition towards his brethren, individual artistes and the individuals around him generally helps me to remember the melody he rendered so profoundly Tu Hindu Banega Na Mussalman Banega, Insaan Ki Aulaad Hai Insaan Banega. Solidarity, harmony and concordance ruled in huge numbers of his melodies and were obviously unmistakable in every one of his reverential tunes, regardless of whether as Bhajans, or Quawwalis or Gurbani.
The world will never feel burnt out on discussing the profundity in his voice and all out association in rendering the mystical melodies of Baiju Baawraa where he took the notes to exceptional levels without losing control or levelheadedness. It might he be able to the tranquil and quiet Man Tadpat Hari Darshan Ko Aaaj or the tune of the searcher Oh Duniya Ke Rakhwale or even the begging importuning sweetheart in Tu Ganga Ki Mauj Main Jamuna Ka Dhara.
Good faith has betrayed the present reality. Gloom and impassion wear the pants. Rafi Sahab gave us trust with such extraordinary melodies as Subah Zaroor Aayegi, Subah ka Intezar Kar. Or on the other hand the basically heavenly and consoling Main Gaoon Tum So Jaao which even I used to calmly rest tuning in, as a little youngster. Obviously Rafi Sahab was in every case profoundly refreshing for his fine treatment of the melody Asli Kya Hai Naqli Kya Hai Poocho Dil Se Mere.
The world has quit talking in straightforward, sweet, respectful and amicable ways. There is hostility all over the place. Indeed, even deals and advertising individuals, who are required to be pioneers in obliging and deferential discussion have begun slipping severely at decorum and great habits. In such occasions we should continue tuning in to Zindagi Hai Kya Sun Mere Jaan Pyaar Bhara Dil Meethi Zubaan. Or on the other hand Logon ka Dil agar Jeetne tumko hai toh Bus meetha bolo.
Energy and love for one's nation is either at a nadir or has arrived at such degrees of devotion that it verges on terrible narrow mindedness and eagerness. Rafi Sahab conveyed an enormous number of tunes that help us to be pleased to remember our territory, its way of life, its legacy and its wealth regarding humankind, straightforwardness and fraternity. Jahaan Daal Par Soney Ki Chidiyaan Karti Hai Baseraa tops my rundown of such melodies. Furthermore, at an elevated level is another melody Mere Des Mein Pavan Chale Purvaai, Meri aawaaz Suno, the tune committed to Pt Jawahrlal Nehru so unsurprisingly portrays the life and times of a harmony adoring, enthusiastic child of the dirt. Also, begs adolescents to follow his model.
Regard and love for one's older folks, guardians and family have additionally gone as far as low levels today. We hear increasingly more of conflict, difficulty and all out disregard. Rafi Sahab was magnificent when he sang Le Lo Le Lo Duvaayen Maa Baap ki or Mere Dost Kissa Yeh Kya Ho Gaya or Meri Dosti Mera Pyaar. A unimportant film from the 70s had a superb tune Pyaar Ka Rishta Sachha Rishta, Baaki rishtey Jhoothe.
Music craftsmanship and everything has gone as far as uncommon low levels with commotion, off color verses and modest gimmicry. At such occasions I can't help review Teen Kanastar Peet Kar function Phaad Kar Chillana Yaar simple Mat Bura Man Yeh Gaana Hai na Bajaana hai. Or then again the amusingly genuine Sa Re Gama two part harmony with Kishore Da.
I can continue forever about the profundity, absolute commitment and dedication of Rafi Sahab to the prosperity of his kindred men and his province through his tunes. Be that as it may, in his own life too he exhibited a similar quality. He was focussed on his work, his family, and society on the loose. He lacked the capacity to deal with political games, trivial quarrels and riffraff animating. He set a fine model for us all to follow.
Tragically, we have not many individuals who appear to get this. By method for this review I wish to tell our more youthful ages how life ought to be really lived.
Individuals lack the capacity to deal with one another, are coldhearted toward the requirements and feelings of others and rush to lose their temper and their psychological self-control. Hostility is regularly misconstrued as an indication of valor or mental fortitude and being fretful is viewed as an indication of hustle and result direction.
In such a foundation, the life, the occasions and the bunch tunes of Mohd Rafi Sahab hang out in sharp differentiation. From the manner in which he carried on with his life, straightforward, stark and content with himself, to the melodies he rendered that discussed harmony, fellowship, warmth, fondness, love and composure just as balance, Rafi Sahab symbolized precisely what we appear to be missing in the present occasions.
His absolute devotion to his art and his livelihood, his total give up to the power above and his commitment to practicing each tune to flawlessness exemplified the unhurried idea of a man who felt that he should convey the best if at all it should have been conveyed. This is correctly what the world misses today. We are experiencing a daily reality such that abilities to focus are lessening quickly, individuals trifle with their work completely even while burning through their time and vitality on interruptions that are rich and proliferating, and there is almost no consideration being paid to glorious conveyance of any craftsmanship, create or completed work.
His disposition towards his brethren, individual artistes and the individuals around him generally helps me to remember the melody he rendered so profoundly Tu Hindu Banega Na Mussalman Banega, Insaan Ki Aulaad Hai Insaan Banega. Solidarity, harmony and concordance ruled in huge numbers of his melodies and were obviously unmistakable in every one of his reverential tunes, regardless of whether as Bhajans, or Quawwalis or Gurbani.
The world will never feel burnt out on discussing the profundity in his voice and all out association in rendering the mystical melodies of Baiju Baawraa where he took the notes to exceptional levels without losing control or levelheadedness. It might he be able to the tranquil and quiet Man Tadpat Hari Darshan Ko Aaaj or the tune of the searcher Oh Duniya Ke Rakhwale or even the begging importuning sweetheart in Tu Ganga Ki Mauj Main Jamuna Ka Dhara.
Good faith has betrayed the present reality. Gloom and impassion wear the pants. Rafi Sahab gave us trust with such extraordinary melodies as Subah Zaroor Aayegi, Subah ka Intezar Kar. Or on the other hand the basically heavenly and consoling Main Gaoon Tum So Jaao which even I used to calmly rest tuning in, as a little youngster. Obviously Rafi Sahab was in every case profoundly refreshing for his fine treatment of the melody Asli Kya Hai Naqli Kya Hai Poocho Dil Se Mere.
The world has quit talking in straightforward, sweet, respectful and amicable ways. There is hostility all over the place. Indeed, even deals and advertising individuals, who are required to be pioneers in obliging and deferential discussion have begun slipping severely at decorum and great habits. In such occasions we should continue tuning in to Zindagi Hai Kya Sun Mere Jaan Pyaar Bhara Dil Meethi Zubaan. Or on the other hand Logon ka Dil agar Jeetne tumko hai toh Bus meetha bolo.
Energy and love for one's nation is either at a nadir or has arrived at such degrees of devotion that it verges on terrible narrow mindedness and eagerness. Rafi Sahab conveyed an enormous number of tunes that help us to be pleased to remember our territory, its way of life, its legacy and its wealth regarding humankind, straightforwardness and fraternity. Jahaan Daal Par Soney Ki Chidiyaan Karti Hai Baseraa tops my rundown of such melodies. Furthermore, at an elevated level is another melody Mere Des Mein Pavan Chale Purvaai, Meri aawaaz Suno, the tune committed to Pt Jawahrlal Nehru so unsurprisingly portrays the life and times of a harmony adoring, enthusiastic child of the dirt. Also, begs adolescents to follow his model.
Regard and love for one's older folks, guardians and family have additionally gone as far as low levels today. We hear increasingly more of conflict, difficulty and all out disregard. Rafi Sahab was magnificent when he sang Le Lo Le Lo Duvaayen Maa Baap ki or Mere Dost Kissa Yeh Kya Ho Gaya or Meri Dosti Mera Pyaar. A unimportant film from the 70s had a superb tune Pyaar Ka Rishta Sachha Rishta, Baaki rishtey Jhoothe.
Music craftsmanship and everything has gone as far as uncommon low levels with commotion, off color verses and modest gimmicry. At such occasions I can't help review Teen Kanastar Peet Kar function Phaad Kar Chillana Yaar simple Mat Bura Man Yeh Gaana Hai na Bajaana hai. Or then again the amusingly genuine Sa Re Gama two part harmony with Kishore Da.
I can continue forever about the profundity, absolute commitment and dedication of Rafi Sahab to the prosperity of his kindred men and his province through his tunes. Be that as it may, in his own life too he exhibited a similar quality. He was focussed on his work, his family, and society on the loose. He lacked the capacity to deal with political games, trivial quarrels and riffraff animating. He set a fine model for us all to follow.
Tragically, we have not many individuals who appear to get this. By method for this review I wish to tell our more youthful ages how life ought to be really lived.
very nice or upload karo
ReplyDeletevery nice or upload karo
ReplyDeleteVery nice
ReplyDeleteHeera Jhankar is not so attractive any more.
ReplyDelete