June 03, 2020
This album contain fourteen (14) jhankar songs.
(AM Jhankar Enterprises)
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HOW TO DOWNLOAD
Go to the search box of blog and search for your song\album.
Or Select album by using Albums & Artists gadget at blog.
Open the album post and click on song link.
Click on the “SKIP AD” link to Visit Google Drive page.
Click on "Download Button" or Play Online.
Enjoy...!!!
TRACKS
01. Aap Ke Haseen Rukh
02. Divaane Ka Naam To
03. Ek Haseen Shaam Ko
04. Ek Tha Gul Or Ek
05. Gar Tum Bhula Na
06. Haseeno Ki Aankhon
07. Hoy Hain Tum Peh
08. Meri Mohabbat Javaan
09. Mohabbat Se Dekha
10. Na Main Bhagvaan
11. Vaadiyaan Mera Daaman
12. Yeh Mera Prem Patr
13. Zamaane Ki Aankhon
14. Zindagi Ek Safar He
The family was driving down the Expressway interfacing Ahmedabad to Baroda and some radio broadcast was playing melodies arbitrarily. At the point when the family voyages together, I don't really get the opportunity to play only my own top choices as it were.
Out of nowhere my child, sitting behind us, posed an inquiry.
"Father, would Mohd Rafi have had the option to sing this tune?"
I just paused for a moment to tune in with some tolerance to the boisterous and fairly jostling piece that was being relegated as a melody.
I told my child "Not exclusively would Rafi Sahab have sung this tune easily, he would have shown this youthful artist how to execute it even smoother, with a grin all over and a gleam in his expression!"
My child didn't contend with me. He may not be a Rafi fan in the genuine sense or the manner in which I love him, however he admits that melodies like Tere Mere Sapne from Guide or Kaarvaan Guzar Gaya from Nai Umar ki Nai Fasal were hard to sing. He likewise maybe has a delicate corner for the tune Abhi Na Jaao from Hum Dono.
He just posed me one inquiry "Would he have sung practically the entirety of the present melodies effortlessly?"
My answer was, "I don't know whether he would have sung every one of these tunes effortlessly. He may have chuckled at some of them. Be that as it may, he would doubtlessly have made the audience's life and ears simple with his ideal rendering and complete contribution. Signs of an incredible artiste, worry for the audience."
I surmise I in this manner brought Rafi Sahab on a similar plane as us all deals and advertising experts, whose principle objective in life ought to be to make their clients' lives simpler, not their own.
We kept driving down, and afterward I asked my child "You know which melody I would have consistently loved Rafi Sahab to have sung before he died?"
My child was interested to know as was my significant other.
"It would need to be Ae Ajnabi Tu Bhi Kabhi Aawaaz De Kahin Se from the film Dil Se".
"Indeed, valid" came the answer. "Udit Narayan appears to have sung the tune as though Rafi Sahab was on the radio in that specific scene", my child rushed to watch.
Presently that is the point. There have been such a large number of tunes that we have acknowledged and commended the author or the lyricist or even the vocalist, that Rafi Sahab would have done gigantic equity to, yet not caused the contemporary artist to feel put down, the best nature of Rafi Sahab. He rewarded everybody with affection and regard.
The remainder of the excursion hushed up, not on the grounds that the music was not playing or we were not talking. I was thinking about the melodies that Rafi Sahab has sung which even today stable so new, as though recorded at the beginning of today! What's more, mind you, the nature of gear in the days he sang, the absence of extraordinary sound specialists or professionals didn't keep him from giving us umpteen evergreen hits.
As though on prompt, this melody spilled out of the speakers in the vehicle Khuhboo Hoon Main Phool Nahin Hoon, and that was it! I understood one extremely basic truth. Rafi Sahab's melodies will never become unpopular, or design.
Simply take a gander at the quantity of TV promotions today, and attempt and review the quantity of them that have his melodies playing. Regardless of whether it is Chakke pe Chakke , Chakke pe gaadi , or Sar Jo Tera Chakraye, or Main Gaaon Tum So Jaao, or even Baar Dekho Hazaar Baar Dekho, or Yeh Chaand sa Roshan Chehra.
Television serials convey titles dependent on his melodies. Set off for college social fests and you will discover the adolescents there on the stage singing Hum Aapki Aankhon Mein Is Dil Ko Basa Dein Toh, or Dil Ka Bhanwar Karey Pukaar.
Each music-based TV unscripted TV drama has the members, the appointed authorities and the stays just not having the option to finish a scene without alluding to the reference book of playback singing in Hindi Films. Rafi Sahab is the principal word and the last one as well. Indeed, even the most youthful of children belts out a Kya Hua Tera Waada or Ehsaan Tera Hoga Mujhpar. He likewise challenges his opponents on the program by singing Hai Agar Dushman, Hum Kisise Kam Nahin!
What's more, elsewhere,whenever any tenderfoot artist attempts to make his imprint, spoilers inquire as to whether he is attempting to be a Mohd Rafi! What better tribute can be paid to him, in this manner?
Somebody once let me know, "Rafi couldn't deal with sentimental tunes, uniquely the ones verging on the suggestive."
I laughed at this to some degree rushed reference or correlation with maybe a Roop Tera Mastana.
My answer was, "Who sang Aa Jaa Re Aa Zara in Love in Tokyo? Who sang Yeh Parbaton ke Daayre Yeh Shaam ka Dhuaan in Vaasna? Or then again Akele Kahan Ja Rahe Ho?"
To add to my companion's defeat I included, "Tumse Kahoon Ik Baat Paron Si Halki" and that was it. The conversation finished there.
Conversations must end here. There is one Rafi. He wasn't ,he will never be. He is.
Also, similar to that famous aroma of the bloom, he waits, until the end of time. Surrounding us. He starts our day. He closes our day.
Bahut Shukriya, Rafi Sahab ke hamaari zindagi mein huzoor aap aaye.
Out of nowhere my child, sitting behind us, posed an inquiry.
"Father, would Mohd Rafi have had the option to sing this tune?"
I just paused for a moment to tune in with some tolerance to the boisterous and fairly jostling piece that was being relegated as a melody.
I told my child "Not exclusively would Rafi Sahab have sung this tune easily, he would have shown this youthful artist how to execute it even smoother, with a grin all over and a gleam in his expression!"
My child didn't contend with me. He may not be a Rafi fan in the genuine sense or the manner in which I love him, however he admits that melodies like Tere Mere Sapne from Guide or Kaarvaan Guzar Gaya from Nai Umar ki Nai Fasal were hard to sing. He likewise maybe has a delicate corner for the tune Abhi Na Jaao from Hum Dono.
He just posed me one inquiry "Would he have sung practically the entirety of the present melodies effortlessly?"
My answer was, "I don't know whether he would have sung every one of these tunes effortlessly. He may have chuckled at some of them. Be that as it may, he would doubtlessly have made the audience's life and ears simple with his ideal rendering and complete contribution. Signs of an incredible artiste, worry for the audience."
I surmise I in this manner brought Rafi Sahab on a similar plane as us all deals and advertising experts, whose principle objective in life ought to be to make their clients' lives simpler, not their own.
We kept driving down, and afterward I asked my child "You know which melody I would have consistently loved Rafi Sahab to have sung before he died?"
My child was interested to know as was my significant other.
"It would need to be Ae Ajnabi Tu Bhi Kabhi Aawaaz De Kahin Se from the film Dil Se".
"Indeed, valid" came the answer. "Udit Narayan appears to have sung the tune as though Rafi Sahab was on the radio in that specific scene", my child rushed to watch.
Presently that is the point. There have been such a large number of tunes that we have acknowledged and commended the author or the lyricist or even the vocalist, that Rafi Sahab would have done gigantic equity to, yet not caused the contemporary artist to feel put down, the best nature of Rafi Sahab. He rewarded everybody with affection and regard.
The remainder of the excursion hushed up, not on the grounds that the music was not playing or we were not talking. I was thinking about the melodies that Rafi Sahab has sung which even today stable so new, as though recorded at the beginning of today! What's more, mind you, the nature of gear in the days he sang, the absence of extraordinary sound specialists or professionals didn't keep him from giving us umpteen evergreen hits.
As though on prompt, this melody spilled out of the speakers in the vehicle Khuhboo Hoon Main Phool Nahin Hoon, and that was it! I understood one extremely basic truth. Rafi Sahab's melodies will never become unpopular, or design.
Simply take a gander at the quantity of TV promotions today, and attempt and review the quantity of them that have his melodies playing. Regardless of whether it is Chakke pe Chakke , Chakke pe gaadi , or Sar Jo Tera Chakraye, or Main Gaaon Tum So Jaao, or even Baar Dekho Hazaar Baar Dekho, or Yeh Chaand sa Roshan Chehra.
Television serials convey titles dependent on his melodies. Set off for college social fests and you will discover the adolescents there on the stage singing Hum Aapki Aankhon Mein Is Dil Ko Basa Dein Toh, or Dil Ka Bhanwar Karey Pukaar.
Each music-based TV unscripted TV drama has the members, the appointed authorities and the stays just not having the option to finish a scene without alluding to the reference book of playback singing in Hindi Films. Rafi Sahab is the principal word and the last one as well. Indeed, even the most youthful of children belts out a Kya Hua Tera Waada or Ehsaan Tera Hoga Mujhpar. He likewise challenges his opponents on the program by singing Hai Agar Dushman, Hum Kisise Kam Nahin!
What's more, elsewhere,whenever any tenderfoot artist attempts to make his imprint, spoilers inquire as to whether he is attempting to be a Mohd Rafi! What better tribute can be paid to him, in this manner?
Somebody once let me know, "Rafi couldn't deal with sentimental tunes, uniquely the ones verging on the suggestive."
I laughed at this to some degree rushed reference or correlation with maybe a Roop Tera Mastana.
My answer was, "Who sang Aa Jaa Re Aa Zara in Love in Tokyo? Who sang Yeh Parbaton ke Daayre Yeh Shaam ka Dhuaan in Vaasna? Or then again Akele Kahan Ja Rahe Ho?"
To add to my companion's defeat I included, "Tumse Kahoon Ik Baat Paron Si Halki" and that was it. The conversation finished there.
Conversations must end here. There is one Rafi. He wasn't ,he will never be. He is.
Also, similar to that famous aroma of the bloom, he waits, until the end of time. Surrounding us. He starts our day. He closes our day.
Bahut Shukriya, Rafi Sahab ke hamaari zindagi mein huzoor aap aaye.
2 no. Song Nahi dikha raha
ReplyDeleteGarbar 1st song main he... Update kar dia he. Thanx for pointing out...
DeleteAMJ 177 PURA FOLDER UPLOAD KIJIYE PLEASE
ReplyDeleteVery nice sir
ReplyDeleteVery nice sir
ReplyDelete